Poetry Foundation
Poetry Magazine
July/August 2008
SUMMER BREAK double issue with poems by Carl Dennis, Kathryn Starbuck, Albert Goldbarth, Heather McHugh, Robert Wrigley, Tom Sleigh, Kevin McFadden, Bob Hicok, Glyn Maxwell, and others. More
Harriet

Rachel Zucker
Pink Elephant with Corn and Pickle?

Kenneth, Kwame, Patricia and Jeffrey,

I’m glad Kenneth pointed out that we do not know each other. Perhaps this is obvious, but it seems to me that the fact that we’re from different communities is no coincidence. I imagine the Poetry Foundation asked us in part because as a group we are “diverse.” So, I’m thinking now about what I “represent:” White, female, New York, MFA from Iowa, under 40, Jewish, “emerging” (my third book is coming out in the fall). Is this me? Yes. Do I resent being chosen in part because I represent these elements? Not really. Do I consider myself interchangeable with other white East Coast female Iowa grads or do I imagine that we would all write similar posts? I hope I'm not interchangable; I think we'd write different posts!

Still, there is no denying that I am, to a large extent, defined (and confined) to the communities from which I come and to which I belong. It’s true I won two local slams in New Haven when I was a Yale undergrad, but I’m not a slam poet. (Unlike Patricia people have very low expectations of me as a reader. I have the pleasant experience of people being incredibly relieved when at readings I'm not deadly boring--most seem to expect, from my bio, that I am going to mumble and read obscure poems with lots of French in them.) I certainly didn’t buy them because of this, but most of the books on my shelves are written by white poets and many more than half are written by women. I pride myself for liking and responding to a wide range of poetries, and one of the best things about co-editing the anthology I’ve been posting about is that within the realms of gender and age the editorial process required me to read across lines of race, geography, sexual preference, style, educational background and class. This was a necessary beginning to what will certainly be a life-long education. I don’t know you, but I’m glad to be here.

04.08.07 | Comments (2)



Comments


Mr Dawes' post on the effort toward meaning providing the basis of community is fascinating to me because it posits the basis of community on individual merit. The idea that people are brought together by separately acting is American to me.

The Hood Company

Posted by: Brian Hadd on April 9, 2007 11:54 AM

Hello Rachel,

Hope you are well. I want to hear the story about you entering the poetry slam in New Haven. How did that happen?

Also, I thought you read very well at the Legitimate Dangers launch last year. I could feel a connection between you and the words you were saying.

On another note, it's really funny to think that the 5 of us have been typecast by the powers that be. What they really need to do is put us on an island for a month (with 24-hour child care on a nearby island) and let us blog via video.

Jeffrey

Posted by: Jeffrey on April 9, 2007 8:55 PM

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