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Travis Nichols
Summer Jams![]() While the context of a reading can often mean everything, there is also something to be said for readings ripped free from their spatial/temporal trappings and escorted into the private, headphoned world. A few examples of Choose-Your-Own-Context: A friend has been walking the few miles to work everyday, just long enough to listen to a lecture by Philip Whalen, downloaded from the Naropa files on the Internet Archive site. Another friend has made a muxtape from his own stock of mp3’s, most of which were culled from the UBU site, or the Penn Sound site--where you can find readings by the recently discussed Robert Duncan, among many others. This friend, Eric Baus, has his own website, To The Sound, where he discusses the cellphone relay method of widening the poetry audience, especially useful at the sparsely attended readings. Eric also links to Steve Evans’ intermittently updated site, Lipstick of Noise--where you can read about the intriguing context of Ericka Huggins’ poem “For a Woman”-- and the Slought Archive-- where you can listen to a little Denise Levertov. Additional voices welcome in the comments, including most definitely anyone else's poetry muxtape. CommentsI must be in a distinct minority: my experience of poetry is text-based. I can't stand poetry readings (although I sometimes attend them), & I almost never listen to recorded poetry. Unless by "poetry" we mean, as I think we should, that denigrated form, the song. In which case, & with apologies for violating the spirit of the post, my poetry muxtape would run, today anyway, something like this: The Hold Steady, "Stuck between Stations": sample lyrics: "There was that night that we thought that John Berryman could fly. / But he didn't so he died. / She said 'you're pretty good with words but words won't save your life' / And they didn't so he died. / He was drunk and exhausted but he was critically acclaimed and respected. / He loved the Golden Gophers but he hated all the drawn out winters. / He likes the warm feeling but he's tired of all the dehydration. / Most nights were kind of fuzzy but that last night he had total retention." Lil Wayne, "Sky's the Limit": "Relying on rap, but in the kitchen I'm a chemist, / And when I was 5, my favorite movie was the Gremlins. / Ain't got shit to do with this, but I just thought that I should mention it." Ghostface Killah, "The Champ": Sonic Youth, "Incinerate": "The firefighters were so nice." Laurie Anderson, "The Dream Before": a perfect poem that borrows Benjamin. Clipse, "Play Your Part": Steinski, "It's up to You (Television Mix)": contains a sample of George Bush I saying (musically arranged in such a way that the rhythm & rhyme are emphasized): "Regrettably / we now believe / that only force / will make him leave." Robert Johnson, "Me & the Devil Blues": "You may bury my body down by the highway side / So my old evil spirit can catch a Greyhound bus & ride." Hey Travis, The UPenn files really are amazing. A poet who must remain nameless, but whom you no doubt know, worked in the library of a large East Coast university, and he would occasionally loan me dubs of readings that were in the university's archives. Much as I was tempted, I never made duplicates of the recordings. Troy Jollimore burned me a disc recently, with some terrific music, and poetry by O'Hara, Berryman, Muldoon, Ondaatje, etc. It has become the soundtrack to my mornings of late, when I'm not listening to Lisa Lisa and the Cult Jam. Lisa Lisa and the Cult Jam, Lil Wayne, the Hold Steady . . . I think links to non-poetry muxtapes would be accepted (even welcomed) here in the comments. In fact, here's this (until I upload some poetry). You can read why "Berryman isn’t the first or last figure in a Hold Steady song to hover by the Mississippi" here. Here's a link to my muxtape: Dylan fans will be pleased. Also notice how the Baden version of Berimbau approaches an Aram Aroyan understatedness. One might considered how the remix, sampling, and bootlegs contribute to the peripheral field of music production, and what that might look like as equivalents in terms of poetry... or you can just tap your foot along... . . . from The Grandeur and Twilight of Radical Universalism, by Agnes Heller and Ferenc Fehér, p. 364: Both Plato and Thomas Mann were right in regarding music as politically suspect. While under its spell, we are more indeterminate and unspecific in our hates and sympathies than politics would like us to be. There is no doubt that we communicate while we are listening to music and hugging millions. But this is a special kind of communication. Its message is meager yet redundant. It conveys to those millions in my embrace only the truism that they are like me and I am like them. It is a discourse that knows no argument; indeed it is one that draws its strength from the absence of argument . . . . In defiance of Plato, Mann, Heller, & Fehér, I offer this politically suspect muxtape to Harriet: Dept. of Futile Enforcement of Obsolete Business Model: |
CONTRIBUTING WRITERS
Wanda ColemanOlena Kalytiak Davis Forrest Gander Lavinia Greenlaw Javier Huerta Travis Nichols STAFF WRITERS
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