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<title><![CDATA[PoetryFoundation.org]]></title>
<link>http://www.poetryfoundation.org/</link>
<dc:language>en-us</dc:language>
<dc:creator>Poetry Foundation</dc:creator>
<dc:date>2008-08-21T16:38:05-05:00</dc:date>
<dc:publisher xml:lang="en-US">Poetry Foundation</dc:publisher>
<dc:description xml:lang="en-US">A daily digest from the Poetry Foundation's new Web site, which publishes feature articles on poets and poetry, news about the poetry publishing, reviews of poetry readings, and reading guides to poems from its comprehensive archive of more than 3,000 poems.</dc:description>
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<item>
<title><![CDATA[And the Winner Is . . . Pindar!]]></title>
<description><![CDATA["Can anyone now alive imitate Pindar by writing memorable verse in a living language about an Olympic champion? Should a contemporary poet even try?" With the Olympics winding down, <b>Stephen Burt</b> tries to find modern poems that can stand up to the legacy of Pindar's odes.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=182143</link>
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<dc:date>2008-08-21T16:38:05-05:00</dc:date>
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<item>
<title><![CDATA[Changing Things]]></title>
<description></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=182089</link>
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<dc:date>2008-08-14T14:14:38-05:00</dc:date>
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<item>
<title><![CDATA[Girls Interrupted]]></title>
<description><![CDATA["Both Sarah Manguso and Lavinia Greenlaw have written memoirs that press on the boundary between poetry and prose and affectingly describe, in intentional fits and starts, the poets' tumultuous girlhoods." <b>Carla Blumenkranz</b> takes a look at two recent poet-memoirs. ]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=182080</link>
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<dc:date>2008-08-13T17:03:10-05:00</dc:date>
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<item>
<title><![CDATA[The One and the Many]]></title>
<description><![CDATA["Mao's stated revulsion for high culture was perhaps the easiest defense against his own attraction to it. His own poetry, which was widely dispersed and memorized throughout the country, bore much in common with the 'traitor literature' against which he warned." <b>Rachel Aviv</b> stacks up Mao's writing against his revolutionary goals.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=182061</link>
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<dc:date>2008-08-06T14:34:21-05:00</dc:date>
</item>

<item>
<title><![CDATA[Because He Was Flesh]]></title>
<description><![CDATA[My friendship with Dahlberg ended bitterly. He chased me around his apartment on Rivington Street with his pants down, having locked the door from the inside, and I had to leap out a window to get away from him.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181737</link>
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<dc:date>2008-07-01T00:00:00-05:00</dc:date>
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<item>
<title><![CDATA[The Roads Taken]]></title>
<description></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181739</link>
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<dc:date>2008-07-01T00:00:00-05:00</dc:date>
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<item>
<title><![CDATA[No Tiara, No Crown]]></title>
<description></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181740</link>
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<dc:date>2008-07-01T00:00:00-05:00</dc:date>
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<item>
<title><![CDATA[Poet for a Year]]></title>
<description><![CDATA["In the fall of 1997, I moved to a partially renovated one-bedroom apartment in Somerville. . . . I was a short story writer and a failure and a masochist and I felt certain, within a month or so of my arrival, that poetry&#0151;what I took to be its particular brand of exalted suffering&#0151;was just the thing to cure me." <b>Steve Almond</b> tries to be a poet for a year.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=182028</link>
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<dc:date>2008-07-17T15:22:11-05:00</dc:date>
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<item>
<title><![CDATA[Craft Vs. Conscience]]></title>
<description><![CDATA[After years of friendship, Robert Duncan and Denise Levertov clashed over what a poet's role should be in a time of war. <b>Ange Mlinko</b> dishes on what broke them apart.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181959</link>
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<dc:date>2008-07-09T23:47:49-05:00</dc:date>
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<item>
<title><![CDATA[Poetry by the Numbers]]></title>
<description><![CDATA[Have you ever wanted to learn how to write the poems that earn the big bucks? <b>Gary Rudoren</b> lets us know how it's done!]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181684</link>
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<dc:date>2008-07-03T10:47:59-05:00</dc:date>
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<item>
<title><![CDATA[Origin of the Species]]></title>
<description><![CDATA[Originally an illustrator for <i>Playboy</i>, Shel Silverstein's first children's book, <i>The Giving Tree</i>, found early success with ministers and Sunday school teachers. <b>Jesse Nathan</b> takes a look at how Shel became Shel.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181785</link>
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<dc:date>2008-06-18T17:36:06-05:00</dc:date>
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<item>
<title><![CDATA[The Energies of Words]]></title>
<description><![CDATA["Hermeneutical mysteriousness is the single most important reason why Objectivist ideals have endured in American poetry." <b>Peter O'Leary</b> digs deep into the <i>Poetry</i> magazine archive to uncover the origins of the Objectivist movement.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181672</link>
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<dc:date>2008-06-12T13:10:45-05:00</dc:date>
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<item>
<title><![CDATA[Naive Melody]]></title>
<description><![CDATA["His poems, written over nearly 50 years, include almost every kind of speech-act a person can say, from shrugs to prophecies, and they sound spontaneous even when it's clear they reflect decades of thought." <b>Stephen Burt</b> discusses the work of A.R. Ammons. ]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181544</link>
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<dc:date>2008-06-04T12:42:01-05:00</dc:date>
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<item>
<title><![CDATA[Cutting Down the Angles]]></title>
<description><![CDATA[Longtime Detroit Red Wings goalie Terry Sawchuk withstood 21 years of slapshots--12 of which he played without a mask--and by career's end had endured over 600 stitches. In <i>Night Work: The Sawchuk Poems</i>, <b>Randall Maggs</b> pokes underneath that filleted skin to draw a loosely biographical portrait of the hockey legend. <b>R. Emmet Sweeney</b> interviews Maggs about his latest book.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181666</link>
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<dc:date>2008-05-30T11:08:08-05:00</dc:date>
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<item>
<title><![CDATA[Koan Ranger]]></title>
<description><![CDATA["The intention of a koan is to make people who are bright in an ordinary way, or ordinary people who are bright in an odd way, work harder and go further into themselves. The language presents an opportunity to perceive a metaphor that calls one not to 'thought' but to work." <b>Gary Snyder</b> talks to <b>Alan Williamson</b> about koan study in Rinzai Zen, about his travels in India and Japan, and about translating East Asian poetry.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181667</link>
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<dc:date>2008-05-28T14:09:05-05:00</dc:date>
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<item>
<title><![CDATA[A Human Being!]]></title>
<description><![CDATA["At 63, Schultz is the little-noticed author of five volumes of poetry, a Long Island family man and dog lover, a fond picker at family scabs, a griever for losses and for the communalism of grief itself, and a back-patting heart-bleeder for his unexceptional fellow man." <b>Michael Atkinson</b> reviews the work of Philip Schultz, winner of the 2008 Pulitzer Prize in poetry.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181664</link>
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<dc:date>2008-05-23T12:55:34-05:00</dc:date>
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<item>
<title><![CDATA[Snip, Snip!]]></title>
<description><![CDATA["In primary school I enjoyed what was called 'choral speaking'--a kind of choir that got together in order to recite poems. I didn't like the poetry we did in lesson time. It always seemed so mournful and sad." Michael Rosen talks to <b>Bruce Black</b> about being a children's poet and becoming the Children's Laureate of Britain.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181660</link>
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<dc:date>2008-05-19T14:53:26-05:00</dc:date>
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<item>
<title><![CDATA[The Five-Minute Muse]]></title>
<description><![CDATA["To read a poetÕs working notebook is to peek under the hood of the poetry: though it doesnÕt let us see exactly how the thing works, we can at least identify some of the moving parts." <b>Levi Stahl</b> looks under the hood of the work of George Oppen, Campbell McGrath, and Gabriel Gudding.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181655</link>
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<dc:date>2008-05-14T12:03:53-05:00</dc:date>
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<item>
<title><![CDATA[The Plight of the Poet-Critic]]></title>
<description></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181504</link>
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<dc:date>2008-04-24T15:49:07-05:00</dc:date>
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<item>
<title><![CDATA[Rudy Can't Fail]]></title>
<description><![CDATA["Where the photographs insist on a tension between figure and ground, an excited, impassive inside-joke feeling, the films dissipate that tension, amassing beautiful and silly details en route to the sublime." <b>Jordan Davis</b> discusses the poetics of Rudy Burckhardt's photography and film.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181573</link>
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<dc:date>2008-05-07T14:07:30-05:00</dc:date>
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<item>
<title><![CDATA[Curious Specimens: An Exchange]]></title>
<description><![CDATA[In the second of a series of exchanges in which we are bringing poets together to discuss new books, <b>Cate Marvin</b> and <b>Joshua Mehigan</b> spar over books by Alice Oswald and Daniel Anderson.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181503</link>
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<dc:date>2008-04-24T15:50:36-05:00</dc:date>
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<item>
<title><![CDATA[Photo Finnish]]></title>
<description><![CDATA["Parland seems to be scribbling on napkins that scatter to the winds as he devotes himself to the truly urgent project-simply living." <b>Jana Prikryl</b> traces Henry Parland's path from bullied schoolboy to literary prodigy to forgotten avant-garde poet.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181477</link>
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<dc:date>2008-04-23T16:22:28-05:00</dc:date>
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<item>
<title><![CDATA[Verse by the Yard]]></title>
<description><![CDATA[While long, collaborative poems have been written for generations, the coming of the Internet has allowed more people than ever to take part. With human authors now joined by spam robots, the title of the world's longest poem is up for grabs. <b>Izzy Ginspan</b> investigates.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181409</link>
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<dc:date>2008-04-17T14:33:53-05:00</dc:date>
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<item>
<title><![CDATA[Over the Moon]]></title>
<description></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181408</link>
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<dc:date>2008-04-16T16:13:28-05:00</dc:date>
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<title><![CDATA[Structure Is Structure]]></title>
<description><![CDATA["It took me years to realize how studying musical structures--which I did in very good music theory classes in high school--must have laid down matrices in my brain that later influenced the forms of my writing." Lydia Davis talks to <b>Jason McBride</b> about her translation technique.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181391</link>
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<dc:date>2008-04-09T15:56:20-05:00</dc:date>
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<title><![CDATA["Every Tool Became a Weapon"]]></title>
<description><![CDATA[Tod Marshall talks Yusef Komunyakaa to about his forthcoming book, Warhorses. The poet discusses the mishandling of the watery fire of Hurricane Katrina, America's silence on race and class, how self-hatred can lead to brutality, and the poet's role in documenting the history of violence and war.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181387</link>
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<dc:date>2008-04-02T16:43:05-05:00</dc:date>
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<title><![CDATA["How Do You Like Your World?"]]></title>
<description><![CDATA["Readers get to see him wrestling with the mundane as well as the profound, and in this way he shows himself to be a trickster and a fool, but also a Bodhisattva, helping his readers on their path to enlightenment through lyric poetry." <b>Travis Nichols</b> reflects on the work of American Zen poet Philip Whalen.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180933</link>
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<dc:date>2008-03-25T17:36:21-05:00</dc:date>
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<title><![CDATA[Diversity <i>Then!</i>]]></title>
<description><![CDATA["They do not constitute an exploration of a distant land so much as an incitement to appreciate that which lies outside the self: to feel the strangeness of the world, and one's own strangeness in it." <b>Paul La Farge</b> reviews the recent translations of oddity texts, <i>Novels in Three Lines</i>, by Felix Feneon, and <i>Stèles</i>, by Victor Sagalen.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181289</link>
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<dc:date>2008-03-19T16:33:48-05:00</dc:date>
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<title><![CDATA[To Write About the Button]]></title>
<description><![CDATA[Grace Paley once told The Massachusetts Review, "Well, I really loved poetry best and I loved doing it and I wrote it all the time, but there was something really wrong with the way I was working. I never got it, really." <b>Rachel Aviv</b> discusses the poet's complicated relationship to her craft and the literary world.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181241</link>
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<dc:date>2008-03-12T15:38:25-05:00</dc:date>
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<title><![CDATA[Post-apocalypse, Poetry, and Robots]]></title>
<description><![CDATA[<b>Matthea Harvey's</b> latest book, <i>Modern Life</i>, explores the dysfunction between civilian and military populations in a stark, futuristic environment. <b>Jeannine Hall Gailey</b> interviews Harvey about the post-apocalyptic landscapes, human-robot hybrids,  and echoes of Japanese anime in her book.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181239</link>
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<dc:date>2008-03-05T13:14:50-05:00</dc:date>
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<title><![CDATA[Hillary Clinton's Poetry Challenge]]></title>
<description><![CDATA[Hillary Clinton's political rhetoric rarely verges on the poetic. Confronted with Barack Obama's oratorical successes, Clinton has wavered between attempting to match his "lofty language" and castigating it as poetry. <b>Alexander Provon</b> takes a look at her attempt to reconcile poetry and platform politics.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181229</link>
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<dc:date>2008-02-27T15:55:45-05:00</dc:date>
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<title><![CDATA[Confronting the Warpland]]></title>
<description><![CDATA[A one-hour radio documentary featuring African American poets who have found influence and inspiration living in Chicago, Confronting the Warpland was written and produced by <b>Ed Herrmann</b> and is narrated by <b>Richard Steele</b>.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181200</link>
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<dc:date>2008-02-22T12:55:35-05:00</dc:date>
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<title><![CDATA[The Poem as Comic Strip #6]]></title>
<description><![CDATA[As a way to help readers discover (or rediscover) our archive, poetryfoundation.org has invited some of today's most vital graphic novelists to interpret a poem of their choice from the more than 4,500 poems in our archive, reaching from <I>Beowulf</I> to the present. This time around, <b>R. Kikuo Johnson</b> lends his talents to a poem by <b>A.E. Stallings.</b>]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181161</link>
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<dc:date>2008-02-15T07:54:04-05:00</dc:date>
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<title><![CDATA[Gogol News]]></title>
<description><![CDATA["All of a sudden he thumbs himself at me! / Then ups and leaves!" laments the nose-less "Me," protagonist of John Surowiecki's award-winning play <i>My Nose and Me</i>. <b>Jessica Winter</b> reports on the winner of the Poetry Foundation's first annual Verse Drama Prize. ]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181121</link>
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<dc:date>2008-01-29T14:49:50-05:00</dc:date>
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<title><![CDATA[The Long Goodbye]]></title>
<description><![CDATA[Stanford's "biggest love affair," C.D. Wright told <b>Ben Ehrenreich</b>, "was with death." Ehrenreich discusses the life and work of poet Frank Stanford and the circumstances that shroud his birth and death in mystery.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=181083</link>
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<dc:date>2008-01-18T12:54:09-05:00</dc:date>
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<item>
<title><![CDATA[In a Barbie World]]></title>
<description><![CDATA["It's not unlike writing poems. You wait for, want the next one and then it comes, you write it and then it's on to waiting for, wanting the next." <b>David Trinidad</b> talks with <b>Richard Siken</b> about his fascination with the world of Barbie and the process of creating a collection of his very own.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180916</link>
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<dc:date>2008-01-09T09:50:48-05:00</dc:date>
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<title><![CDATA[Ah, Memories]]></title>
<description><![CDATA[It's that time of the year . . . the snow blanketing the ground . . . at least in some areas . . . eggnog . . . mistletoe . . . ? ! . . . MISTLETOE?! . . . Festively illuminating this scene are ye olde hearth-like computer monitors blazing long into the night . . . For your reading enjoyment, we've rounded up some treats: the site's most popular poems, features, and podcasts . . . and editors' picks, for those "on the go" . . . Click . . . write some comments . . . forward some links . . . guess what the bestselling poetry book of '07 was. See you January 9! ]]></description>
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<dc:date>2007-12-21T13:55:12-05:00</dc:date>

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<title><![CDATA[Beach Reading]]></title>
<description><![CDATA["Hass simply knows that we cannot speak intelligently about poetry without addressing ourselves to the world poetry lives in." <b>Troy Jollimore</b> comments on the pleasures of reading Robert Hass's latest book of essays on poetry.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180530</link>
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<dc:date>2007-12-19T12:17:22-05:00</dc:date>
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<title><![CDATA[From Poetry Front Man to Award Winner]]></title>
<description><![CDATA[<b>John Freeman</b> interviews Robert Hass about <i>Time and Materials</i>, winner of the National Book Award, and about his experiences as a writer, reader, and teacher of poetry.]]></description>
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<dc:date>2007-12-19T12:17:02-05:00</dc:date>
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<title><![CDATA[Genius Envy]]></title>
<description><![CDATA["The words of a dead man," writes Auden, "[a]re modified in the guts of the living." <b>Geoff Dyer</b>  examines the slow crawl of artistic influence from Balzac to Rodin to Rilke and ponders the extent to which one art form can absorb and harness the possibilities inherent in another.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180435</link>
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<dc:date>2007-12-05T15:33:18-05:00</dc:date>
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<title><![CDATA[Flesh for Fantasy]]></title>
<description><![CDATA["Here's what human matters come to." <b>Samantha Hunt</b> interviews <b>Heather McHugh</b> about the work of 16th-century anatomist Andreas Vesalius and the poetry inscribed in his compendium of illustrations of the human body. ]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180416</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180416</guid>
<dc:date>2007-12-04T09:26:18-05:00</dc:date>
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<title><![CDATA[Apply WD-40]]></title>
<description><![CDATA[Donald Revell's "The Northeast Corridor" stands as one of his last poems  in what can be considered his early style. Revell was ready to move on, and you can hear it. <b>Stephen Burt</b> reads into this exhausted poem.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180406</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180406</guid>
<dc:date>2007-11-29T14:03:52-05:00</dc:date>
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<title><![CDATA[Gossip Guy]]></title>
<description><![CDATA[A new novel details the real-life events surrounding the writing of Alexander Pope's mock-epic <i>The Rape of the Lock</i>. <b>Alice Boone</b> interviews novelist <b>Sophie Gee</b> about Pope, the affair that inspired the poem, and her novel, <i>The Scandal of the Season</i>.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180365</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180365</guid>
<dc:date>2007-11-28T16:26:17-05:00</dc:date>
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<title><![CDATA[Enter Sandman]]></title>
<description><![CDATA["During your times of trial and suffering, / when you see only one set of footprints, / it was then that I carried you." At least four different people sincerely believe themselves to have independently authored "Footprints," one of the best-renumerated poems in history. <b>Rachel Aviv</b> reports.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180239</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180239</guid>
<dc:date>2007-11-20T14:51:18-05:00</dc:date>
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<title><![CDATA[1, 1, 2, 3, 5, 8, Fun...]]></title>
<description><![CDATA[Poetry for math geeks? With fibs, the literary and mathematical meet. <b>Deborah Haar Clark</b> reports on the Fibbing phenomenon.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180219</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180219</guid>
<dc:date>2007-11-20T14:23:48-05:00</dc:date>
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<title><![CDATA[Shock and Ahhh]]></title>
<description><![CDATA["I just want to hug him," says an audience member overwhelmed by the energy and charm of Danny Sherrard. <b>Jeremy Richards</b> describes the 2007 National Poetry Slam Finals and the poets who unleash 'tsunamis from their back pockets'.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180218</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180218</guid>
<dc:date>2007-11-20T13:51:20-05:00</dc:date>
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<title><![CDATA[In Memoriam: Landis Everson, 1926-2007]]></title>
<description><![CDATA[Picking up writing again after decades away from it, Landis Everson won the Poetry Foundation's inaugural Emily Dickinson Award. <b>Rachel Aviv</b> profiles this reluctant member of the Berkeley Renaissance.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=179380</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=179380</guid>
<dc:date>2007-11-19T12:50:33-05:00</dc:date>
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<title><![CDATA[Crisis of Conscience]]></title>
<description><![CDATA[How can we tell when student writing about violence becomes more violent than literary? <b>Maria Hummel</b> reports on guidelines developed by the creative writing department at Virginia Tech to screen student work for potential warning signs.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180145</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180145</guid>
<dc:date>2007-11-15T15:17:55-05:00</dc:date>
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<title><![CDATA[Of Antibiotics and iPods]]></title>
<description><![CDATA[Will Eavan Boland ever write an ode to an iPod? <b>Robin Ekiss</b> questions the poet about 'the act of imagining' needed to grasp her poetic subjects.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180235</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180235</guid>
<dc:date>2007-11-12T15:29:16-05:00</dc:date>
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<title><![CDATA[From Reznikoff to Public Enemy]]></title>
<description><![CDATA[Can poetry document an historical moment rather than just offer a subjective account of events? In anticipation of the Poetry Foundation's Poetry and Journalism Symposium being presented in conjunction with the Columbia School of Journalism, <b>Phil Metres</b> highlights poems that confront what Wallace Stevens once termed "the pressures of reality."]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180213</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180213</guid>
<dc:date>2007-11-05T15:27:37-05:00</dc:date>
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<title><![CDATA["It's Not Enough to Feel This"]]></title>
<description><![CDATA[Can a poet be witness to calamity? <b>Jessica Winter</b> looks at new collections by Martha Collins, Eliza Griswold, James Hoch, and C.D. Wright to see if poetry can speak for victims left without a voice. ]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180211</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180211</guid>
<dc:date>2007-11-05T15:24:35-05:00</dc:date>
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<title><![CDATA[Take a Walk on the Wild Side ]]></title>
<description><![CDATA[Who can utter the praise and shame of this world? <b>John Felstiner</b> on how eight poets have evoked and invoked the natural world.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180158</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180158</guid>
<dc:date>2007-11-05T11:59:32-05:00</dc:date>
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<title><![CDATA[Who do you love?]]></title>
<description><![CDATA[Expressions of love in poetry have been found since before the ancient Greeks. From John Milton to Jaime Sabines to Stanley Kunitz, <b>W.S. Merwin</b> showcases poems that have successfully reckoned with a feeling that is beyond reckoning.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180159</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180159</guid>
<dc:date>2007-10-31T13:26:58-05:00</dc:date>
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<title><![CDATA[Baseball and Verse, from Tinker to Evers to Big Papi]]></title>
<description><![CDATA["Poets are like baseball pitchers," claimed Robert Frost. He wasn't the only poet who felt an affinity for the game. From Marianne Moore to Longfellow to Franklin P. Adams, <b>Levi Stahl</b> takes a look at poetry about baseball, finding a few poets who throw strikes and a few who don't.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180149</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180149</guid>
<dc:date>2007-10-24T10:06:24-05:00</dc:date>
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<title><![CDATA[The Five-Book-a-Week Diet]]></title>
<description><![CDATA[How much poetry should a poet read? Maybe the better question is how much <i>can</I> they read? <b>Paisley Rekdal</b> puts herself on a strict reading regimen to find out--and lives to tell about it.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180140</link>
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<dc:date>2007-10-17T13:06:53-05:00</dc:date>
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<title><![CDATA[Hope and Pray]]></title>
<description><![CDATA[In Nikky Finney's "The Afterbirth, 1931," the tragedies of race in America are set in sharp focus through the poem's telling of the birth of the poet's father. <b>Kwame Dawes</b> examines the poem and what it reveals about the nature of bigotry.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180107</link>
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<dc:date>2007-10-08T16:34:02-05:00</dc:date>
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<title><![CDATA[An Xceptional and Xuberant Poet]]></title>
<description><![CDATA[Conjuring dragons who battle bullies and teachers who write on blackbirds, X.J. Kennedy fills his poems with dexterous wordplay and downright malarkey. Children's Poet Laureate <b>Jack Prelutsky</b> shares his delight in the poet's inventive verse.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180082</link>
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<dc:date>2007-10-01T16:18:21-05:00</dc:date>
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<title><![CDATA[Performing the Academy]]></title>
<description><![CDATA[Is what Harold Bloom said about poetry slams being full of "rant and nonsense" true, or can the academy and the slam community come together? In the second of a series, <b>Jeremy Richards</b> talks with Ishle Yi Park and Bob Holman about slam, and how they manage to straddle both sides of the page / stage divide.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180098</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180098</guid>
<dc:date>2007-09-27T16:16:21-05:00</dc:date>
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<title><![CDATA[Man to Man]]></title>
<description><![CDATA[In 1923, after falling in love with a blond, blue eyed sailor, Hart Crane wrote his most ambitious poem to date: "Voyages." A thoroughly convincing love poem written to another man, the poem burned with passion. <b>Brian Reed</b> puts on his asbestos gloves to take a look.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180083</link>
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<dc:date>2007-09-24T16:47:25-05:00</dc:date>
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<title><![CDATA[Metaphysician of Doubt]]></title>
<description><![CDATA[Not surprisingly, Charles Simic's first reading since being names U.S. poet laureate was a little crowded. <b>Jessica Allen</b> gives us a front row look at the laughs and strangeness.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180045</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180045</guid>
<dc:date>2007-09-21T11:52:36-05:00</dc:date>
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<title><![CDATA[The Poem as Comic Strip #5]]></title>
<description><![CDATA[As a way to help readers discover (or rediscover) our archive, poetryfoundation.org has invited some of today's most vital graphic novelists to interpret a poem of their choice from the more than 4,500 poems in our archive, reaching from <I>Beowulf</I> to the present. This time around, <b>Paul Hornschemeier</b> lends his talents to a poem by <b>Ted Kooser.</b>]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180049</link>
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<dc:date>2007-09-19T17:04:25-05:00</dc:date>
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<title><![CDATA[When Yellow Ribbons and Flag-Waving Aren't Enough]]></title>
<description><![CDATA[After serving tours of duty in both Afghanistan and Iraq, <b>Nathaniel Fick</b> thought it was time to go back. On his way to teach troops in Afghanistan, he looks at recent war-themed collections of poetry and sees how they stack up. ]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180043</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=180043</guid>
<dc:date>2007-09-11T17:42:06-05:00</dc:date>
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<title><![CDATA[Poetry Blog-O-Rama]]></title>
<description><![CDATA[With so many poetry destinations online, it can be tough to know where to start. With the help of fifteen poets, <b>Jessica Winter</b> helps untangle the web.]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=180032</link>
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<dc:date>2007-08-31T18:21:48-05:00</dc:date>
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<title><![CDATA["The Sheep Child"]]></title>
<description><![CDATA[Never one to shy from taboo topics, James Dickey outdid himself in 1966 when he published his poem "The Sheep Child." The poem, showcasing a rather frank (if fanciful) discussion of bestiality, immediately drew reader's ire. <b>Maria Hummel</b> takes a closer look at this poem with "an original point of view."]]></description>
<link>http://www.poetryfoundation.org/archive/feature.html?id=179991</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/archive/feature.html?id=179991</guid>
<dc:date>2007-08-27T17:20:28-05:00</dc:date>
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<title><![CDATA[You Call That Poetry?!]]></title>
<description><![CDATA[When Aram Saroyan received $750 from the NEA for his poem "lighght," people were left scratching their heads: How could one misspelled word be considered poetry? <b>Ian Daly</b> explains.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179985</link>
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<dc:date>2007-08-25T08:51:10-05:00</dc:date>
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<title><![CDATA["My mind's not right."]]></title>
<description><![CDATA[Arguably the most famous poet in America in the 1950s, Robert Lowell had built his reputation on his formal works. Facing a new generation of poets and a series of personal crises, something had to give. <b>Troy Jollimore</b> looks at Lowell's "Skunk Hour."]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179983</link>
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<dc:date>2007-08-16T16:57:29-05:00</dc:date>
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<title><![CDATA["Like Hiroshima ash and eating in."]]></title>
<description><![CDATA[Beginning with the one-word question "Pure?" Sylvia Plath's "Fever 103" burns slowly toward paradise. <b>Kary Wayson</b> guides us along its course of purification.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179981</link>
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<dc:date>2007-08-13T17:27:42-05:00</dc:date>
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<title><![CDATA[Paper Cuts]]></title>
<description><![CDATA[Poetry is full to the brim of what it is like to be the unrequited wounded one, but what about the one doing the wounding? <b>Mary Jo Bang</b> examines May Swenson's "Bleeding."]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179979</link>
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<dc:date>2007-08-13T17:27:31-05:00</dc:date>
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<title><![CDATA[Better Than Some Dumb Ad]]></title>
<description><![CDATA[For 15 years now, the Poetry Society of America has been sponsoring the Poetry in Motion program, placing poems on public transportation in New York. Do people really read the poems? <b>Alexander Provan</b> investigates.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179966</link>
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<dc:date>2007-08-01T16:38:17-05:00</dc:date>
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<title><![CDATA[Imperturbable Buddha?]]></title>
<description><![CDATA[What constitutes a portrait? In the first of four essays based on a panel discussion about the Pulitzer Foundation's "Portrait/Homage/Embodiment" exhibition, <b>Raphael Rubinstein</b> looks at Jacques Lipchitz's portrait of Gertrude Stein and the portrait she penned of him in response.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179961</link>
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<dc:date>2007-07-25T19:14:36-05:00</dc:date>
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<title><![CDATA[Canon Fodder]]></title>
<description><![CDATA[In this sixth installment our continuing series, Donald Revell takes his turn at selecting poems so far neglected by anthologies and best of lists. From John Clare to William Bronk to Ronald Johnson, he makes the case for nine forgotten masterpieces. ]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179940</link>
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<dc:date>2007-07-20T15:08:52-05:00</dc:date>
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<title><![CDATA[A Rumi of One's Own]]></title>
<description><![CDATA[Filled with platitudes on love, understanding, and acceptance, the writings of Rumi as translated into English have sparked a renaissance of interest in the 18th century Persian poet around the world. But are his current admirers missing the devotion to Islam that plays a crucial role in his writing? <b>Rachel Aviv</b> investigates.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179906</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/journal/feature.html?id=179906</guid>
<dc:date>2007-07-17T12:47:10-05:00</dc:date>
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<title><![CDATA[The Poem as Comic Strip #4]]></title>
<description><![CDATA[As a way to help readers discover (or rediscover) our archive, poetryfoundation.org has invited some of todayÕs most vital graphic novelists to interpret a poem of their choice from the more than 4,500 poems in our archive, reaching from <I>Beowulf</I> to the present. This time around, <b>Ron RegŽ, Jr.</b> lends his talents to a poem by <b>Kenneth Patchen.</b>]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179896</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/journal/feature.html?id=179896</guid>

<dc:date>2007-07-09T15:43:38-05:00</dc:date>
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<title><![CDATA[Original Gangsta]]></title>
<description><![CDATA[So what if he was only four foot six, constantly ill, and a hunchback? Alexander Pope was still gangsta. <b>Stephen Burt</b> examines Pope's ÒEpistle to Dr. ArbuthnotÓ and finds the roots of modern hip-hop rivalries. ]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179880</link>
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<dc:date>2007-07-02T17:00:02-05:00</dc:date>
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<title><![CDATA[Shadows, Boxes, Forks, and "POAMs"]]></title>
<description><![CDATA[Is there a connection between someone's poems and their obsessions? <b>Richard Siken</b> interviews <b>Thylias Moss</b> about her collection of reflections, shadows, and forks. The fourth in an occasional series.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179856</link>
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<dc:date>2007-06-25T17:41:18-05:00</dc:date>
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<title><![CDATA[Learning to Bear]]></title>
<description><![CDATA[Written in 1940, just before a long period of poetic silence, "Zone" is one of Louise Bogan's last great poems. Poet <b>Mary Kinzie</b> takes a closer look at Bogan's influences, and at Bogan's moment of artistic--and personal--crisis.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179738</link>
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<dc:date>2007-06-18T13:43:11-05:00</dc:date>
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<title><![CDATA["Is it Lesbian enough?"]]></title>
<description><![CDATA[At last month's Lambda Literary Awards, a prize ceremony for LGBT-themed books, the announcer of the prizes for erotica got overzealous about his duties. <b>Rachel Aviv</b> fills us in on the details.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179743</link>
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<dc:date>2007-06-15T16:41:51-05:00</dc:date>
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<title><![CDATA[She Speaks in the Voice of a Child]]></title>
<description><![CDATA[<b>Jack Prelutsky</b>, the nation's first Children's Poet Laureate, discusses the work, writing habits, and fashion preferences of his friend, children's novelist, and poet Nikki Grimes, sharing a few of her newest, unpublished poems along the way.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179705</link>
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<dc:date>2007-06-13T15:30:04-05:00</dc:date>
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<title><![CDATA[Thank Goodness It's (Poetry) Friday]]></title>
<description><![CDATA[Every Friday, bloggers in the <i>kidlitosphere</i>  enthusiastically offer up their favorite poems for kids. <b>Susan Thomsen</b> takes a tour through this billowing online community.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179694</link>
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<dc:date>2007-06-13T14:31:00-05:00</dc:date>
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<title><![CDATA[Performing the Academy]]></title>
<description><![CDATA[Is what Harold Bloom said about poetry slams being full of Òrant and nonsenseÓ true, or can the academy and the slam community come together? In the first of a series, <b>Jeremy Richards</b> talks with Susan Somers-Willett about slam, and how she manages to straddle both sides of the page / stage divide.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179688</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/journal/feature.html?id=179688</guid>
<dc:date>2007-06-07T17:56:34-05:00</dc:date>
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<title><![CDATA[Pop Star Poetics]]></title>
<description><![CDATA[Ever since Hermes created the lyre to confound Apollo, poetry and music have gone together like milk and cookies. Music critic <b>David Browne</b> navigates the sometimes rough seas.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179685</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/journal/feature.html?id=179685</guid>
<dc:date>2007-05-29T17:43:47-05:00</dc:date>
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<title><![CDATA[The Poem as Comic Strip #3]]></title>
<description><![CDATA[As a way to help readers discover (or rediscover) our archive, poetryfoundation.org has invited some of today's most vital graphic novelists to interpret a poem of their choice from the more than 4,500 poems in our archive, reaching from <I>Beowulf</I> to the present. This time around, <b>Jeffrey Brown</b> lends his talents to a poem by <b>Russell Edson.</b>]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179642</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/journal/feature.html?id=179642</guid>
<dc:date>2007-05-21T10:34:37-05:00</dc:date>
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<title><![CDATA[The Movie Star vs. the Poem]]></title>
<description><![CDATA[On April 11, the stage at Lincoln Center's Alice Tully Hall was packed with celebrities. Ethan Hawke, Glenn Close, Lauren Bacall, and others were all on hand to help the Academy of American Poets raise some well-deserved dough. <b>James Marcus</b> reports.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179641</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/journal/feature.html?id=179641</guid>
<dc:date>2007-05-18T16:56:36-05:00</dc:date>
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<item>
<title><![CDATA["Plenty of Sublimated Rin Tin Tin"]]></title>
<description><![CDATA[The films of Winnipeg-based Guy Maddin wear their influences on their sleeves: Soviet montage, German Expressionism, '30s musicals, Grand Guignol, and John Ashbery! <b>Jessica Winter</b> talks to the filmmaker about the influence of the poet in his work.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179637</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/journal/feature.html?id=179637</guid>
<dc:date>2007-05-11T10:58:27-05:00</dc:date>
</item>

<item>
<title><![CDATA[If No One Can Find My Book, Does It Exist?]]></title>
<description><![CDATA[The recent buyout of several smaller, independent distributors by Perseus Books Group sent shock waves though the world of poetry publishing. After years of small presses dealing with small distributors, the presses found themselves facing a growing corporation. <b>Travis Nichols</b> investigates.]]></description>
<link>http://www.poetryfoundation.org/journal/feature.html?id=179636</link>
<guid isPermaLink="true">http://www.poetryfoundation.org/journal/feature.html?id=179636</guid>
<dc:date>2007-05-10T14:58:09-05:00</dc:date>
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