Velvet

But inside her, there is always velvet,
velvet with its give and yield, the kind you
find at a pet store, a bin full of long
ears and noses busy snuffing up nerves
among the cedar chips and their eyes
opening wide as if rabbits couldn't know
what softness brings, as if they'd never know

the smell of something long stored away now
brought into light, and now too her mother
with a camera pointing at her, red
child on the lap of the Easter rabbit,
softness of the body hiding inside
the costume, eyes glinting from the wide holes
in the mask, not a single sobbing breath

of wind down the trail of mesquite and broom
foot-printing the hills of some rancher's land.
The bird dog lifts his ears to the sound
of velvet, the girl listens to the drawn
cries of a crow, her father walks
with the silence of the shotgun, waiting
for the pointer to find scent, the rabbit
at the end of it blinking, its wide eyes
shrinking from the scuffle of their feet like

velvet settling, laid over lines, drying
across the ceiling of an uncle's garage
where they talk inside the smell of salted
skin. At least three dollars for each good pelt
he says, and they scream like children when,
sleeves rolled over his forearms, he brings
the club down on their heads, saving
their feet for cheap key chains, for luck

that softness doesn't seem to have inside
of cages, chicken wire, tubes of water,
and sometimes boys who try kicking the cage
around to see what happens to velvet
tumbling. And, in the after quiet,
she bites the hands reaching toward her, so they
stone her, they open her belly and pull
some things out, open the pink albino
eye and groan at the fluid inside. Then they
bury the carcass without thinking first
of washing their sticky hands in the sink

before eating dinner, before setting
the table, in the still softness of her
beige room, she sits on the carpet picking
at the velveteen of Bunny's stuffed neck,
the rabbit's eyes dull with scratches, eyes left
behind on her bed at night when she stands
in the hall, hearing her father breathe in his room

in the darkness, on the futon, kicking
off the sheets. Awake from a fluid dream
of a woman's eyes staring from behind
a gag, her white skin settling in fat pools
around her, naked, bald. And a man's
voice said, this is your rabbit, so she woke
to this dream inside her, with his teeth wrapped
in her hair, and his hands inside her thighs
where he fingered her coldly. But it has
always been like this—wild, insidious,
and commanding because she gives to it,
fascinated by it and caught by it,
as velvet only listens and is quiet.

Copyright Credit: Gina Franco, "Velvet" from The Keepsake Storm. Copyright © 2004 by Gina Franco. Reprinted by permission of Pima Press.
Source: The Keepsake Storm (University of Arizona Press, 2004)