Condiments & Entrails
Would I not be a stylish divinity?
if not for my genetic impediment—
high mortality rate
John Durak, author of the delectably titled Condiments & Entrails, is a “graphomaniac / of whom nothing is known,” someone who refreshingly bucks the self-promoting confessionalism of the social media age by disclosing no personal information I could find online. From his poetry I surmise he’s a mortal being, cis male, heterosexual, a denizen of comic-strip versions of NYC and Kathmandu, a stand-up comedian of the page inhabiting a morose navel-gazer’s vale of tears. He writes in small, centered squibs, the kind of offhand wiseacre who says “doo-whoopty-doo” while describing the morning dew, appreciates the curves of ampersands and “perky” asses, and interrupts an existential crisis with the command to “relax!”
Durak’s method is off-kilter, fun yet serious, Dadaist yet contemplative, darting among the surreal, aleatory, and phenomenological. Sometimes his work has the silliness of a fractured nursery rhyme, with a hipster’s undertow of primal anxiety:
Thinking of a gentle friend;
on an island in a sea;
planting life to be;
but me;
alone in a sea;
sitting on an island that is me;
witnessing sharks biting their nails
in shallow waters;
afraid of what is to be
If he’s a comedian, it’s not because he dispenses one-liners but because he’s beguilingly absurd (“sharks biting their nails”) even when confronting matters like love, reality, and death. Being funny, which—in Durak’s case—means edgy and mercurial rather than sweet and light-hearted, makes the seriousness go down easy. When he meditates (“I sat with I”) in a pastoral landscape, he sounds less like Hesiod or Wordsworth and more like Monty Python doing a mash-up of Temple Grandin and Samuel Beckett:
Sitting in a field of cows
their shrieks—a constant
restless
it has been far too long
since I sat with I
skies imploding
mind exploding
possibility of becoming
MOO! MOO!—a constant
elementally charged
agenda: subject & object united
“reality”—a patchwork
feeling sweet Nothingness;
like Nowhere else
mu! mu!
complete