Judging a school by its style

The Constant Critic (in this case, Christina Mengert) talks about matching up poetic style with poetic schools in her review of The Smaller Half by Marc Rahe:

If, for example, I was reading a poem with an air of classical control, and gentility of expression, I might attribute it to the University of Virginia. If formally ambitious and influenced by L=A=N=G=U=A=G=E, I might think Brown University or Buffalo; if the poem was slightly narrative, with the occasionally surreal image twisting our sense of time and place; if it employed explosive, Donne-like openings followed by short, well-crafted lines, and an ending that lifts off the page as the poem gently but firmly settles into heavy silence, I might suspect the poet as a graduate of the Iowa Workshop . . .