PoemThe TraditionBy Jericho BrownAster. Nasturtium. Delphinium. We thoughtFingers in dirt meant it was our dirt, learningNames in heat…
ArticleAriana Brown: “A Division of Gods”By Remica Bingham-RisherWhat do we uncover when we try to salvage history?
ArticleT.S. Eliot: “The Love Song of J. Alfred Prufrock”By Peter O’LearyOne of the most famous poems in English, one of the first encounters readers have with modern poetry—and may have even invented modern poetry.
ArticleCornelius Eady: SelectionsBy L. RenéeDistinguished and innovative poet, playwright, and mentor
ArticleRobert Frost: “Nothing Gold Can Stay”By Tyler MaloneFor a poem about the brevity of every state of being, the single octave perfectly enacts its themes through its form.
CollectionPoetry and Film: Reading in the DarkBy Adam O. DavisJune 21, 2024Poetry, like the movie theater, is built out of dark and light. The ink and the page. The room and the screen.
ArticleFederico García Lorca: “Dreamwalking Ballad”By Sarah ArvioMetaphor in Lorca is a form of gorgeous shorthand.
ArticleJohn Tickhill: “A Bird in Bishopswood”By Eric WeiskottA melancholy medieval rent collector’s sorrows, scribbled on the back of a legal document
ArticleMetamorphoses: “Erysichthon” by Ovid and “Erysichthon’s Seed” by Shanta LeeBy Shanta LeeRace, Class, Gender, and the Imperial Body
ArticleDouglas Kearney: SelectionsBy Noah Baldino, Natalie Earnhart & The EditorsPoems by an interdisciplinary writer and performer
ArticleGwendolyn Brooks: “the mother”By Annie FinchWhat does it mean if a poem is “neither pro nor con abortion”?
CollectionPoetry and FormBy The EditorsJuly 10, 2023Educational resources on poetic forms curated by Poetry Foundation staff
ArticleSylvia Plath: “The Applicant”By Julie IrigarayA hymn to female independence in the form of a withering critique of marriage