Cut Lilies
By Noah Warren
More than a hundred dollars of them.
It was pure folly. I had to find more glass things to stuff
them in.
Now a white and purple cloud is breathing in each corner
of the room I love. Now a mass of flowers spills down my
dining table—
each fresh-faced, extending delicate leaves
into the crush. Didn't I watch
children shuffle strictly in line, cradle
candles that dribbled hot white on their fingers,
chanting Latin—just to fashion Sevilla's Easter? Wasn't I sad?
Didn't I use to
go mucking through streambeds with the skunk cabbage
raising
bursting violet spears?—Look, the afternoon dies
as night begins in the heart of the lilies and smokes up
their fluted throats until it fills the room
and my lights have to be not switched on.
And in close darkness the aroma grows so sweet,
so strong, that it could slice me open. It does.
I know I'm not the only one whose life is a conditional clause
hanging from something to do with spring and one tall room
and the tremble of my phone.
I'm not the only one that love makes feel like a dozen
flapping bedsheets being ripped to prayer flags by the wind.
When I stand in full sun I feel I have been falling headfirst for
decades.
God, I am so transparent.
So light.
Copyright Credit: Noah Warren, "Cut Lilies" from The Destroyer in the Glass. Copyright © 2016 by Noah Warren. Reprinted by permission of Yale University Press.