Cut Lilies

More than a hundred dollars of them.
 
It was pure folly. I had to find more glass things to stuff
        them in.
 
Now a white and purple cloud is breathing in each corner
 
of the room I love. Now a mass of flowers spills down my
        dining table—
 
each fresh-faced, extending delicate leaves
 
into the crush. Didn't I watch
 
children shuffle strictly in line, cradle
 
candles that dribbled hot white on their fingers,
 
chanting Latin—just to fashion Sevilla's Easter? Wasn't I sad?
        Didn't I use to
 
go mucking through streambeds with the skunk cabbage
        raising
 
bursting violet spears?—Look, the afternoon dies
 
as night begins in the heart of the lilies and smokes up
 
their fluted throats until it fills the room
 
and my lights have to be not switched on.
 
And in close darkness the aroma grows so sweet,
 
so strong, that it could slice me open. It does.
 
I know I'm not the only one whose life is a conditional clause
 
hanging from something to do with spring and one tall room
        and the tremble of my phone.
 
I'm not the only one that love makes feel like a dozen
 
flapping bedsheets being ripped to prayer flags by the wind.
 
When I stand in full sun I feel I have been falling headfirst for
        decades.
 
God, I am so transparent.
 
So light.
 

Copyright Credit: Noah Warren, "Cut Lilies" from The Destroyer in the Glass.  Copyright © 2016 by Noah Warren.  Reprinted by permission of Yale University Press.