A Poem for Arthur Nortje and Other Lost African Poets

By Mukoma wa Ngugi
Your forehead jutting outward swelling with the wretchedness
of inheritance, watching your trail of black dust, ashes
of a cremated past swirl and twirl, a dance with voiceless ghosts
that see through the film of your eyes. Your eyes frozen deep
in the monotony of the past holding a black-and-white
photograph of a stillborn baby’s wail. Your nails thrust

deep into the palm of your right hand until it explodes
like a grenade reading blood will flood the River Nile,
your reflection lies facedown in the Thames River, I see
a corpse in an ocean-sized fitting room. Consult neither
the Yoruba gods nor oracles, what you need is an internal shift
of perception, find beauty sufficient enough to thaw feeling.

Once you found beauty and said a true word, one true word spills
its truth at seams, swells beehives until the honey trickles
down to oasis. You said, lift up the cup gently to your
lips and drink lest you spill. The warm sunlight seductively
filters through the baobab branches onto my hungry skin, oval slits
of light swaying with the wind that moves the palm-shaped leaves.

Is there a true word so terrible to face? That creates such
anguish? Only in its absence, the vagueness of an articulated
absence that churns ghosts, births easy theories of dualism, and
memory of a childhood that dreamt what it cannot now fulfill leaving
a solitary poet staring into the abyss with nothing in front or behind,
the sole saxophonist in the middle of Oxford Square playing long
after the mourners have left. It once was beautiful. Wearing your martyr’s
cap, you sat too long defenseless, a lone aeolian harp battling a screaming
wind that has set upon itself the role of redeeming the world. Thames River
will not mummify as winter is not here. City lights flicker industrialization
onto the river’s glass. Your face is distorted by the city’s disco lights, two
dark eyes peering into the display of orgy that dances before them.

Every day the world ends with our eyes glued on the next shipment
of happiness. Nightmares of land mines, sequestered Palestinians,
and Zulus who no longer believe in either the pointed tip of Shaka’s
assegai or in the poet’s pen. Let it hurtle along at the pace of my mind,
baobab fiend sprout a branch, trip a thought, middle of inferno,
take a plunge into the fire next time of a mind through which the world

whistles tunes of its madness. Shoot a straight arrow into the sky, create
wavy parallels, dance opposites in its wake, I see your face actualizing
the possibility of life, the fact of death. The police records show your
prints on a beer bottle, a witness who was watching the orgy of depression
asked you to dance, “I have to leave, I am almost late, but thanks,” he said.
“Another time then?” she asked. “Maybe, but not here.” She watched your

black coat that hid your back till it was swallowed by the dancing bodies,
one slice of darkness and then you spilled onto Wordsworth Street.
Copyright Credit: Mukoma Wa Ngugi, "A Poem for Arthur Nortje and Other Lost African Poets" from Logotherapy.  Copyright © 2016 by Mukoma Wa Ngugi.  Reprinted by permission of University of Nebraska Press.
Source: Logotherapy (University of Nebraska Press, 2016)