Self-Portrait as a Dead Black Boy

I.

at thirteen     for a whole dark season
I was lethal with my pellet gun      murdering
minor things that wandered into yard      stalking
the thin woods between our house & the highway—
I picked off any bird squirrel rabbit snake
I could track    if I had two surprised seconds

to explain the meaning of my hands      my instincts
would have been to show you the weapon
to turn     hoping you could see gentleness
poised behind the risk—: so when Tamir Rice
was shot X times:      the toy pistol he carried
couldn't have killed anything        big or small

even if he'd tried:—        but of course
as the story goes    that math's all wrong


II.

the law among my friends growing up:
whoever's car had the best sound—assuming
they wasn't in trouble with they mamma—drove
we rode the wheels off of TT's grandma's
burgundy hooptie     because of how
the bass from its speakers trembled the tips

of our hair & slapped our young bodies alive
with a beat—: so when Jordan Davis
was shot X times:    his legs & lungs
& aorta pierced—a citizen who hated
the rattle that black folks can make when
they make it out the house:—     all around

America's trespass music fell     even now
a different mood than mine hits my ears       like rain


III.

I made it to twenty-eight without owning
a gun      & then my son burst onto the scene
with thousands of miles between me & my
tribe—so I learned it took just hours to return
loaded & licensed    to conceal a new danger
however     as soon as I felt that dark

weight tucked against my torso       I realized
the mistake—how few & unsafe the scenarios
with me pointing this threat at another
threat to survive—: so now     on my knees
I'm preparing my heart to receive the next shots
until a new divinity forbids one more black body

be burned down according to an imagination that feeds
its godliness with fear as seen through smoke


IV.

in my thirties now     I buy sneakers that don't
slip off my feet & feel older for the fit
on the way home from getting new pairs
we stop at a local farmer's market &
before exiting the vehicle      my boy & I change
into our fresh kicks to feel godly while walking

aisles of shining produce & hand-crafted candles—:
so when Philando Castile was shot X times:
a bullet searing through each year
of his little girl's life in the back seat     I can't
see his shoes in the documentary of this dying
but his body slides in & out of his safety

belt as cop keeps weapon trained:—a dark
star stopping the open question of his window


V.

sometimes a sleeplessness
blesses you:     in our shared family bed
I lie awake & hear the steady
sonata of my wife & son's unconscious
breath turning our room into
this shore with a mid-night tidal

music I wouldn't want to live
without—: so when
Eric Garner was denied
air for X seconds:    the song
& kin of his lungs flattened
above the city's dirty sidewalk

:—let us pray


VI.

on occasion I weep
while watching the living

brown X of my hand move
across the page: swift &

controlled & sometimes remaining
perfectly still—: so I've written

this poem out in longhand
in the best cursive I can manage

under light that bends into something
soft enough to call healthy

none of which can keep me
alive    no matter the grace

Copyright Credit: Geffrey Davis, "Self-Portrait as a Dead Black Boy" from Night Angler.  Copyright © 2019 by Geffrey Davis.  Reprinted by permission of BOA Editions, Ltd., www.boaeditions.org.
Source: Night Angler (BOA Editions, Ltd., www.boaeditions.org, 2019)