Reverence
By Karen Houle
for Kaveh
The flag face of decency is emblazoned in High Anglican—
curly curves of marble-dirtied fingernails,
family names losing distinction, grouped like obedient
cedar of Lebanon gets grouped:
tall ones in the back in a row.
Grandmother's saintly legs ballooned
from outliving all her known relations,
then she was lowered
into a wet pit.
Second husbands are buried next to first wives:
the black Kodachrome arrows on their white
wedding pictures bull's eyes
a gravedigger's map.
Under fussy rhododendrons he's turned away
from the second wife.
Acid-loving soil.
Wedge of earth
eating away between them like mud walls of the most ordinary,
they had the ordinary love
long before the telephone
but only after
the hourglass-voided nexus of contract, proper
length of mourning had been measured
in threat-knots on barn rope—
swung out, skirts lift, rafter climbs, dropped down.
Alone is plain and simple
wear and tear on the cord.
They kissed a few times before the morning of their own funerals.
Speed of the hands is over
oldened bags of body shape
shifted urges to insert themselves
into one last territory
before night.
Paddling silently across the cemetery swamp
you pull up alongside the sinking pilings:
the family name
came from what might as well have been
the other side of the spinning world.
A region of sand and relative fortune,
bells hung and tinkle from shamed necks—
reckonings as ridiculous as we now sing upward
into the best-guessed vicinity of the
ganglionic spirit.
When the unwed died in several large pieces in desert tufts
you went to wrap him in linen—
There are those who go right into the earth,
and those who take up space when they're dead.
Copyright Credit: Karen Houle, "Reverence" from during. Copyright © 2008 by Karen Houle. Reprinted by permission of Gaspereau Press.
Source: during (Gaspereau Press, 2008)