Ophelia’s Technicolor G-String: An Urban Mythology
The air tonight is thick as curry;
like every night this summer I could cut it
with my wine glass, spray it with mace.
Over and over it would heal together
like a wound, follow my click and pace of heels
down Conti Street, St. Ann, Bourbon.
Oh Hamlet, if you could see me now
as I pump and swagger across that stage, cape dripping to the floor,
me in three-inch heels and a technicolor G-string—
you would not wish me in a convent.
They’ve made me a queen here, married me off
to a quarter bag and a pint of gin.
The old men tend bark and splatter, rabid
at each table. I think they stay up all night
just to spite the moon. They bring their diseased
mouths to the French Market in the morning,
sell Creole tomatoes to tourists who don’t know
what they are. Each bald head shines plump and red.
It seems like so long ago that I modeled
for those legs outside of Big Daddy’s—
the ones over the door that swing in, out, in, out—
the sculptor made me painted as Mardi Gras.
I thought you might recognize them if you ever passed
with the boys, parading from Abbey to Tavern,
or think them royal feet in need of slippers.
Someday I expect to find you here,
sitting at the table between the first and second rows,
fingering bones or something worse.
And in the end you will throw me a columbine,
light me a Marlboro and take me to a 24-7 where
jukebox light quivers, makes us as thin as ghosts.
But for now, I will dance for the fat man
who sits in your place and sweats his love for me at 3 a.m.,
because only he knows I am Horatio in drag.
Copyright Credit: Susan B. A. Somers-Willett, "Ophelia's Technicolor G-String: An Urban Mythology" from Roam. Copyright © 2006 by Susan B. A. Somers-Willett. Reproduced by permission of Southern Illinois University Press.
Source: Roam (Southern Illinois University Press, 2006)