The Little Mariner

Spotlight a

   SCENE ONE: Open-air court in the ancient city of Athens. The accused arrive
                      and proceed among curses and cries of Death! Death!

   SCENE TWO: A jail in the same city, beneath the Acropolis, walls half-eaten by
                      dampness. On the ground, a miserly straw mat and in the corner,
                      an earthenware jar of water. On the outside wall, a shadow: the
                      guard.

SCENE THREE: Constantinople. In the harem of the Holy Place, in candlelight,
                      the Queen throws a pouch of gold coins to the Head Eunuch
                      who bows and looks at her significantly. By the open door, his
                      men at the ready.

   SCENE FOUR: Drawing room of a large Monastery. Oblong table, the abbot at
                      its head. Sweaty monks come and go bringing news: a crowd
                      spills into the streets, setting fires, destroying everything.

   SCENE FIVE: Nauplio. Greek and Bavarian officers outside the King’s quarters
                      converse in low tones. A messenger takes the dispatch and heads
                      toward the steps that lead on high to Palamidi.

    SCENE SIX: In front of an old and empty lot in contemporary Athens, a
                      crowd, motley with priests and bishops, gathers to cast a stone,
                      “the stone of anathema.”

SCENE SEVEN: Low buildings of EAT/ESA. In the courtyard, drunken soldiers.
                      Braying and lewd posturing. The officer leaving some cell says
                      something to the military doctor. Behind them thuds and cries
                      are heard.
Copyright Credit: Odysseus Elytis, "The Little Mariner" from Eros, Eros, Eros: Selected & Last Poems. Copyright © 1998 by Odysseus Elytis.  Reprinted by permission of Copper Canyon Press.
Source: Eros Eros Eros: Selected and Last Poems (Copper Canyon Press, 1998)