Hollywood & God

If only God would save me,

I would know how to hurt you.

If only God would save me,

I would know who to sell my soul to.

Anything is an autobiography,

but this is a conversation—

William Burroughs insisted

literature lagged 50 years behind painting,

thinking no doubt about abstraction, collage,

fragmentation, his cut-ups.

But whatever that meant (why always 50 years?), or however

he presumed to rile other writers,

poetry probably does lag behind any credible media theory about it—

so that if I put a pine tree

into a poem,

a grove of pine trees

and beyond them the sea,

you’d think it was the same tree Wordsworth put there;

instead of two obligatory centuries of nature studies, all those

Technicolor vistas, torch songs, couples

drifting through leaves in Salem commercials.

Into one life and out another,

the way a junkie playing a writer,

a writer playing a priest,

so that when I finally blurted out,

You-betrayed-me / I-wounded-you / We’re-so-unhappy

you assumed the burden of personal urgency,

supposed it was me speaking at the limits of my self-control

and not The Damned Don’t Cry,

Temptation, and Leave Her to Heaven.

You open your mouth and a tradition dribbles out.

But that’s mimesis—

how almost impossible to avoid mimesis,

anybody’s hardest truths prompting the most fractured constructions,

the way to think about God might be

to disobey God,

if only God’s wish to remain hidden,

so that if everything is an autobiography,

this is a conversion.

As my lives flash before me,

why must the yearning for God

trump all other yearnings?

You often hear converts confess

the drinking, his pills, her sexual addiction,

concealed inside them a yearning for God—

why not the other way around?

The admission of Jesus into your life

concealing instead the wish, say, a need

To be fucked senseless drunk drugged & screaming

Oh God! Oh God! on a hotel bed . . .

God embraces our yearnings.

That afternoon my father heard his diagnosis of inoperable cancer,

my aunt Barbara demanded we get him to Lourdes

She demanded this with a glass of vodka in her hand—

she demanded this running her fingers up and down my leg—

she demanded this before she passed out in her car—

In the movie of my life,

my father died

after I forgave him,

& when my secret tormentor said may the ghosts of your dreams

gnaw at your belly like a wolf under your jacket,

did she really want revenge,

or was she just killing time?

For me God is a hair shirt, or he’s nothing;

for me God is a pain in the ass;

that’s mimesis, again,

this hour I tell you things in confidence,

I might not tell everybody, but I’ll tell you.

The world is a road under the wall to the church,

the world is a church, & the world is a road,

& the world is a stone wall.

Still, he wanted her the way the Cardinal wanted the Caravaggio,

& when the ill-advised possessor of the painting resisted—

one night Papal Guards searched his house.

Of course contraband came to light, some illegal rifles,

& when the ill-advised possessor of the painting went to prison—

the Cardinal got his Caravaggio.

But I wasn’t a Cardinal, nephew to the Pope,

and you—

you were not a Caravaggio.

So I asked you to be in my movie.

Source: Hollywood & God (University of Chicago Press)

Poetry Goes to the Movies