Dolls

                                                                  To be born woman is to know—
                                                                  Although they do not speak of it at school-
                                                                  Women must labor to be beautiful.                                                                                               -W.B.Yeats

                                                                  Teng ai, a love imbedded inpreverbal knowledge,                                                                   accompanied by unspeakable pain, and shared                                                                       only through the empathy between the two bodies                                                                   (mother and daughter) alike.
                                                                   —Wang Ping
             
              I.
Take care of your little mother, my aunt told me
shortly before she died. My little five-foot-four-inch mother,
whose clothes I outgrew when I was ten, already
proud ofmy big bones—(Nothing could overpower
me if I was made ofmy father's bones). My mother was astounded-
I should put bricks on your head & she kept dressing me
in pinafores & ruffled socks. Toi, she called me,
as if I was supposed to stay small.

              II.
Sometimes it seemed I couldn't have come out of
her, that something was wrong. When I stood behind her I felt
ungainly, like something that flopped about without
gravity. I was excessive, too much.
I thieved her clothes until it was impossible to make them
fit—hers was the only body I knew how to make beautiful.
           
            III.     
My grandmother bought me a doll I couldn't touch. She
had peaches & cream skin, breasts, a taffeta dress,
& porcelain green eyes. Her fingers were delicate & curved
like eyebrows. I broke my dolls, so we had to put her up
high to admire, like a storeowner sticks a manikin
on a black pole to show off what he's got.
                   
           IV.
My mother gave me dolls that peed, that you had to feed,
that you had to bathe in a little plastic Bathinette.
Everything smelled clean like rubber. You had to
learn to be a mother. Even the pee. One of the bottles
refilled itself when you turned it upright. It was o.k. for a
doll to pee. The more work you did the better mother you were.

              V.
I was hard on my dolls. The ones that had stuffed bodies
came up missing arms. Monkey-bear had his insides ripped out.
Big Rabbit couldn't stand. His legs & feet were
bent forward so that, when we played school—with his
Little Buddha smile that,
no matter how much I swung him around in a circle & beat him
against the floor, just stayed there—he would topple off his
seat & have to be shaken again.

              VI.
The dolls that cried mamma came up with a busted rattle in
their throat, their eyes clunked open so that they couldn't go to
sleep but stared perpetually up at the ceiling like middle-aged
insomniacs. One doll had a problem with her eyes, they were out
of kilter, so that they didn't open unless you whacked
her on the back. Then they were stuck open, so she seemed
dead. We had to work on her too hard to make her do the most
ordinary things—just to open her eyes! Her eyes clunked shut &,
way back in the pit of her skull, we could hear her thinking.

              VII.
When I was born my mother sat up, hysterical, on the delivery
table. She said it was the drugs. She couldn't stop laughing.
Her toxemic body had been pumped out & I was a robin's egg
blue, a pale, delicate thing whose blood vessels you
could see from the outside. My "inner life" stared up at you
through translucent skin, the way you can see a face
floating up to a lake's surface.
                                                     I put my inner life right in her hands.

              VIII.
No, that isn't the way my father saw it. He said
when he looked in the nursery he saw a baby so hairy
he thought it should be swinging from a chandelier.
Though he really loved me for my excesses—
for eating too much, for stealing French fries from his plate
(That girl can really hold her liquor, he'd brag
when I was twelve. They call her old hollow leg),
& even my hair—he'd lift me up by it
& carry me up four flights of stairs. He loved my hair.

              IX.
My mother suffered, oh did she suffer, the way all
light-skinned women were supposed to suffer. She suffered that
& more. She proved that she didn't like it. She proved that of all
the un-black women, the ones babies didn't just come
popping out of—
                                 & even of the ones that babies came roaring
through like a train, of even them—she was one of the most,
most suffering.




              X.
During pregnancy, she wore the right shoes. She ate the
right foods. She read the book that the doctor gave her with
pictures of white women in plain suits. She tucked it in a place
sacred & hidden, in her sewing box. She pierced it with needles
& thread either punishing it or marking it
with a hundred little, colored banners.
                                                                           She used to like sex, my
father once said, puzzled.

              XI.
My mother with the peaches & cream skin, my mother with the eyebrows of a blackbird's wing, my mother with eyelashes that brushed halfway down her cheeks, my mother with the high, creamy breasts, my mother in her slip & socks on her knees scrubbing the kitchen floor, or weeping in the doorway,
my lovely, delicate, little mother.

Copyright Credit: Toi Derricotte, "Dolls" from The Undertaker’s Daughter. Copyright © 2014 by Toi Derricotte.  Reprinted by permission of University of Pittsburgh Press.
Source: The Undertaker’s Daughter (University of Pittsburgh Press, 2014)