Life is Beautiful


                             and remote, and useful,
if only to itself. Take the fly, angel
of the ordinary house, laying its bright
eggs on the trash, pressing each jewel out
delicately along a crust of buttered toast.
Bagged, the whole mess travels to the nearest
dump where other flies have gathered, singing
over stained newsprint and reeking
fruit. Rapt on air they execute an intricate
ballet above the clashing pirouettes
of heavy machinery. They hum with life.
While inside rumpled sacks pure white
maggots writhe and spiral from a rip,
a tear-shaped hole that drools and drips
a living froth onto the buried earth.
The warm days pass, gulls scree and pitch,
rats manage the crevices, feral cats abandon
their litters for a morsel of torn fur, stranded
dogs roam open fields, sniff the fragrant edges,
a tossed lacework of bones and shredded flesh.
And the maggots tumble at the center, ripening,
husks membrane-thin, embryos darkening
and shifting within, wings curled and wet,
the open air pungent and ready to receive them
in their fecund iridescence. And so, of our homely hosts,
a bag of jewels is born again into the world. Come, lost
children of the sun-drenched kitchen, your parents
soundly sleep along the windowsill, content,
wings at rest, nestled in against the warm glass.
Everywhere the good life oozes from the useless
waste we make when we create—our streets teem
with human young, rafts of pigeons streaming
over the squirrel-burdened trees. If there is
a purpose, maybe there are too many of us
to see it, though we can, from a distance,
hear the dull thrum of generation's industry,
feel its fleshly wheel churn the fire inside us, pushing
the world forward toward its ragged edge, rushing
like a swollen river into multitude and rank disorder.
Such abundance. We are gorged, engorging, and gorgeous.

 
Copyright Credit: Dorianne Laux, "Life is Beautiful" from Smoke. Copyright © 2000 by Dorianne Laux.  Reprinted by permission of BOA Editions, Ltd.
Source: Smoke (BOA Editions Ltd., 2000)