Federico García Lorca's Legacy Explored at the Economist

Eighty years after the now-revered Spanish poet's death, two performing artists are evoking Federico García Lorca's spirit in new works that celebrate his impact on literature worldwide. More:

JUST OVER 80 years ago, Francisco Franco triggered a military uprising against his country’s government. Granada, one of Spain’s most historic cities, fell quickly to Franco’s rebel Nationalists. Exactly a month after the outbreak of civil war, an infamous murder— which might never have happened had Franco not rebelled—took place on that city’s outskirts.

At 38, Federico García Lorca was one of Spain’s best-known writers. He had made his mark in the 1920s with lyric poetry that drew on the folk customs and haunting landscapes of his native Andalusia. This is most true of “Romancero Gitano” (1928, meaning “Gypsy Ballads”), a collection of poems of gypsy feuds and conflicts with the police, and suffused with images of the moon, blood and the colour green. The book is perhaps his greatest single volume, and it made his name.

His breakthrough as a playwright arrived in 1933 with his first full-length drama “Bodas de Sangre” (“Blood Wedding”), a fierce tragedy in which a man and his former lover, about to be someone else’s bride, run off together into a forest. In interviews, meanwhile, García Lorca had begun to give clear vent to his anti-fascism. He also made enemies among his home-town’s middle class, whom he insulted in one national newspaper as “the worst…in Spain today”. Many of this middle class had sided with the rebels and were keen to flush out any “reds” that sympathised, or seemed to sympathise, with the Republic.

García Lorca, who had returned from Madrid in July 1936 to his Granada parental home for the summer, was inevitably counted among their ranks. His homosexuality only served to intensify this hatred. Most likely on the orders of Granada’s Falangist governor, the writer was arrested on August 16th 1936 and executed three days later. One of García Lorca’s assassins boasted that he had fired “two bullets into his arse for being queer”. The location of the crime is well-known, but his body has never been found.

Continue at the Economist. If that's not enough Lorca for you on this Thursday morning, you can check out Sarah Arvio's 3 new translations from the July/August issue of Poetry, here here and here.