Poetry News

Anne Carson's Dionysian Bakkhai

Originally Published: September 07, 2018

At KGB Bar Lit, Sébastien Bernard reviews Anne Carson's translation of Euripides' Bakkhai (New Directions, 2017), writing that it is "all one would expect of her work: modern, frisky, precise, dense, completely original, and absolutely devastating." More:

...As in her other versions of Euripides and Sophocles (like Grief LessonElectra, and Antigone) Carson’s line breaks turn the play into a poetry at turns lush and riotous, at others glibly deadpan and ironic. The latter applies in both the dramatic and contemporary senses. At the hands of Carson, it’s a linguistic treat on every level: from Bakkhai’s cascading choruses, to the cast of characters’ rhetorical spars, to the final elegies spoken by Kadmos and Agave that leave one with a sense of raw and irresolvable trauma. Raw indeed on the level of character and drama, but air-tight as crystal in Carson’s economical verse. The result might remind us of what Nietzsche felt only Greek Tragedy could do: fuse the Apollonian and the Dionysian completely. But the play teaches us—and this might be its central lesson—that the Dionysian itself requires a balance of impulses.

The play is surprisingly fresh in its affirmative depiction of women’s spiritual, moral, and sexual freedom—in equal measure, it’s condemnatory of intolerant men. In the order of Bakkhai, the fury of a conservative cannot outlive his hidden fixations. A man of closeted compulsion, who subjects women to the duality of his voyeurism (desire and disgust) before he plans to destroy them for good, will suffer a horrible fate. The logic of Dionysos, in which these impulses must resolve themselves into consummation and release, will not allow this kind of stubborn and compartmentalized approach. The play’s Freudianism avails itself not only in repressed desires, but also ideological vision: the clash here is on the order of collective as well as personal fantasy, and is as frightening as it is fatalistic. And not too distant from the destructive results of our current politics.

The full review is here.