On Boredom: How I Found Out My Parents Were Siblings
BY Kate Durbin
for us, watching it snow on the
dead
—Mary Ruefle, “Snow”
At the end of February 2023, a blizzard comes to southern California. The first since 1989. I can see the snow pile up on the brown mountains outside my window, brown from recent forest fires. Snow always seems unreal to me as a Southern Californian. When my friends tell me they’re going to visit it, I want to ask, “Are you sure the snow is a place?”
During the storm, I become obsessed with watching the weather on YouTube. Normally, “the weather” is the most boring thing to me. But early blizzard reports have a kind of charm, though there is an underlying unease, a sense of blurring or colliding realities. A dazed pelican blows in on the jet stream and lands on a giant snowbank near Lake Tahoe. Its webbed feet sink into the snow as it wanders, lost in a world of freezing whiteness it doesn’t understand. Two men in bulky North Face jackets corner the bird by a garage, rescuing it, though it looks like they are going to hurt it. A man stands on the side of an icy road, holding a monkey named Darwin. The monkey looms into the camera, curious. A retired Boomer couple in red puffer jackets, with extremely rosy cheeks, throw snowballs at each other. They drove in from a distant town. “We want to play in the snow,” red puffer woman says in a singsong voice. A local man complains of blizzard tourists clogging the highway like a toilet. Men in cargo shorts lug giant bottles of kerosene into the back of a pickup truck. Snow flurries around their bare legs. “It’s legit snow, legit snow,” says one of the cargo-shorts men, sounding very California. It’s never snowed in his town before. Not in his lifetime, anyway. “That’s a dog,” says the weatherman’s voice in another video. A small dark spot moves jaggedly over the landscape, looking like something else, not a dog. When he says, “that’s a dog,” the weatherman sounds unsure, a little scared.
I am surprised at how much of the weather footage is just videos taken by regular people that they posted to social media. Repurposed for the news broadcast. The reporter’s job is to decipher the blurry homemade footage in real time, to manage the footage and, by extension, the weather. Trying to manage the weather, especially now, seems insane to me—like trying to manage an erupting volcano.
The disaster continues. The reports turn dire. People are snowed into their houses. There is a fear of carbon monoxide poisoning. The roof of a grocery store collapses under the weight of fallen snow; from the sky, the store looks like an ancient ruin. A snowed-in woman with an unspecified medical condition has only three pills left. A mom with six kids speaks to a reporter on FaceTime; their Airbnb hosts are threatening to kick them out. Meanwhile, her kids have all come down with a mysterious rash and have had to use the EpiPen twice. The news cuts to a blurry cell phone image of a small human stomach with a red spot on it. In the YouTube comments, someone writes, “Well, how can anybody get kicked out when nobody can get in or out?”
A field reporter up to her waist in snow tries to walk, explaining how hard it is for her to walk in snow. “See?” she says, gesturing to the whiteness engulfing her legs. “It’s never snowed like this before, not here,” several locals are recorded saying. Thirteen bodies are found, though reports are inconclusive as to the causes of their deaths. “It might not be the blizzard,” a reporter says, which feels like gaslighting, even if it’s true. Everyone is running out of food at the same time. There are multiple mentions of frozen pizza.
HELP US someone scrawls on the side of the mountain in snow. A neighbor films it with a drone and posts it on Twitter. It ends up on the news. It’s strange how labyrinthine the paths to communication are. Who is speaking to whom? The disaster relief is not fast enough; it is inadequate, underfunded. This is usually the case in California, but watching these videos, I worry that everyone is passively looking at screens, that no one knows who is supposed to be helping.
I text the HELP US photo to my family group chat. “You should go up there,” my mom texts, unhelpfully. She lives in another state. “Get snowshoes,” she texts.
At my house, at this lower elevation, rain falls in sheets. “Due to climate changes, there has been an increase in the total amount of moisture the atmosphere holds,” says a reporter. Out my window, I can no longer see the mountain. It’s covered in a thick cloud. The blizzard.
The algorithm suggests more videos. All of them become weather to me. They all become the blizzard. The way the storm blew the pelican in from somewhere else. Why Aubrey Plaza seemed annoyed at the SAG Awards. People vs. nature fails. All the mistakes the Donner Party made. Tom Cruise is on Jimmy Kimmel Live! talking about doing dangerous stunts, such as jumping off a cliff on a motorcycle. They had to tape his clothes down so they wouldn’t catch on the motorcycle, which would plummet to the ground, and he’d die.
I start to wonder if maybe the algorithm knows the hidden structures of our changing reality. The weather people report on the effects, but maybe the algorithm sees, or possibly even is, the actual blueprint. I find myself longing to look directly at it, like I wanted to stare directly into an eclipse as a child.
The final video, which I decide not to click on, which is how I know it is the final video, is How I found out my parents were siblings, and my life changed forever. The thumbnail image is of a woman in her seventies with white hair and glasses. She looks strangely familiar. The subheading of the video reads, “I was revolted at me.” The video has two million views. I want to watch it more than the others, but something stops me. I feel sick. I have seen too much. I am not ready, I don’t think, for it all to come together. I am not ready for my life to change forever.
Out my other window, the one on the front of my house, my lawn is a lake. The rain hasn’t stopped for days. It’s never rained like this before, not here. In the bathroom, the water is coming up through the toilet, into the house. It’s an emergency. I need to call the plumber again. He was supposed to be here hours ago. Outside, the rain is falling. I guess I already mentioned that. It seems like snow. I have never seen real snow, but I hear it brings with it a silence.
This essay is part of “Hard Feelings,” an essay series of poets writing about ugly emotions.
Kate Durbin (she/her) is a poet and artist. She is the author of the poetry collections Hoarders (Wave Books, 2021), E! Entertainment (Wonder, 2014), and The Ravenous Audience (Black Goat/Akashic, 2009), as well as numerous chapbooks.
With Amaranth Borsuk, she authored the “living text” ABRA. This transmedia project resulted in a mobile app created with Ian Hatcher, an artist's book, and a trade ...