Civitas
By Mia Kang
Acts of love have
material effects. For a woman
tending the sacred fire, these include
the risk of becoming
an extinguisher
of flames essential
to civic life. It is a burden
to put out
what others hold as central
to faith in coherence. Acts of faith
have material effects — a Vestal
Virgin touched by encounter
must be buried alive,
a beautiful metaphor
for shame itself, which squirms
even under all that dirt. Thus, the dead
learn too late
that devotion should be
unidirectional, a straight line
from here to suffocation. Love must not
bleed at the edges, must not meet
others in the banal spaces
of civic life. It is a burden
to personify. If Vesta’s hearth is the site
of the sacred, its material effects
are destruction: burning, consumption,
constant hunger
for more wood. Acts
of destruction have
fantasmatic effects. For a body
surviving encounter, these include
civic life, shame;
the risk of being
a proxy — tender
of the hearth belonging
to the public, by way
of the goddess, who embodies a dream
of faith in coherence. Material effects
extinguish themselves, eventually,
as when a woman
touched in the correct way
undoes the burden
of love and puts out, taking
the goddamn city in and under.
Source: Poetry (September 2018)