Feel Fragments
i
Would you like to go find a sunflower field?
There’s a raining in here, a valerian hangover.
How many bodies have you carried into your meditation?
Pine boughing into the window.
How many naps could you take there?
Awoken, suddenly, on a sunflowered rug.
ii
Waiting and things supposed to get better.
Making space. Waiting it out.
Panic is / another reason to panic / about health.
Sometimes the child lets out a single cry and I think he’s awake
but he’s just changing his sleep attention.
There are peacocks in the kinderboerderij (petting zoo).
There are peacocks in the Wallace Stevens poem (petting zoo).
I have had dreams like Bernadette Mayer’s:
a sudden houseboat; inexplicable violence;
et cetera. Do you remember when Rachael said
that italicizing book titles was passé? I imagine the field
from I Love You where the two rabbits are on their backs
looking up at the clouds. I imagine meeting my child there.
Sometimes I walk to the edge of the sentence
and remember what I came there for.
iii
If we were still a tea kettle we would be
weeping around our middle, condensery.
Ik vind
je lief opa is about a grandpa bear.
There are
very few ticks in the dream field. I have never told a bear
how cute I think they are. This might not be exactly
what I mean,
but I hope you understand. In French
they’ve begun using a comma
to mark multiplicity
of gender. A period is not a punchlin,e. Time
to skip ahead to before. What happens in the middle
of a sentence? Vislowfeeling.
v
Anaphora makes a narrative.
Every risk a color field.
vii
I do not think of ___ as my enemy.
Whenever we talk about this, I never try to tell you about the fish.
Weird burden to lift:
Across the street, more window, and here, a tree.
I have been wanting to feel the emotions of the convention. Is that sentimentality? My desire for a specific knowable feeling?
I can bear the clock, the wall, some redeemable aspect of sound, or memory, later I’ll remember the sound but not the time I was in.
I still don’t understand how sounds clicky clack against each other, how to turn off the TV.
What sense is to be made across people?
Oh, are you sad?
viii
This one time I was
and I opened my eyes
I guess the thing
and in my mind
you finally get to
“the thing” about
both bodies, two shoulders, creek knees
the rug upon which
in classroom a rug
have you carried
can you carry
an iteration of the present
Is that a feeling?
full of sunflowers
the field in
xii
“the world over” feels like such a different idiom
after a pandemic and rising fascism
how is any metaphor tied to a straight line
when the world is so cyclical, so round
I sometimes pretend I am sitting still
inside the whole body buzzing alive
sunflowers, the circuitous route of a fruit fly
is the thing about meditation the way the legs are crossed
is a sunflower field a body
more house, or not more house; earth, or not earth
Source: Poetry (March 2022)