Feel Fragments

i

Would you like to go find a sunflower field?
There’s a raining in here, a valerian hangover.
How many bodies have you carried into your meditation?
Pine boughing into the window.
How many naps could you take there?
Awoken, suddenly, on a sunflowered rug.

ii

Waiting and things supposed to get better.
Making space. Waiting it out.
Panic is / another reason to panic / about health.
Sometimes the child lets out a single cry and I think he’s awake
but he’s just changing his sleep attention.
There are peacocks in the kinderboerderij (petting zoo).
There are peacocks in the Wallace Stevens poem (petting zoo).
I have had dreams like Bernadette Mayer’s:
a sudden houseboat; inexplicable violence;
et cetera. Do you remember when Rachael said
that italicizing book titles was passé? I imagine the field
from I Love You where the two rabbits are on their backs
looking up at the clouds. I imagine meeting my child there.
Sometimes I walk to the edge of the sentence
and remember what I came there for.

iii

If we were still a tea kettle we would be
weeping around our middle, condensery.

Ik vind
je lief opa is about a grandpa bear.

There are
very few ticks in the dream field. I have never told a bear

how cute I think they are. This might not be exactly
what I mean,

but I hope you understand. In French
they’ve begun using a comma

to mark multiplicity
of gender. A period is not a punchlin,e. Time

to skip ahead to before. What happens in the middle
of a sentence? Vislowfeeling.

v

Anaphora makes a narrative.
Every risk a color field.

vii

I do not think of ___ as my enemy.

Whenever we talk about this, I never try to tell you about the fish.

Weird burden to lift:

Across the street, more window, and here, a tree.

I have been wanting to feel the emotions of the convention. Is that sentimentality? My desire for a specific knowable feeling?

I can bear the clock, the wall, some redeemable aspect of sound, or memory, later I’ll remember the sound but not the time I was in.

I still don’t understand how sounds clicky clack against each other, how to turn off the TV.

What sense is to be made across people?

Oh, are you sad?

viii

This one time I was

and I opened my eyes

I guess the thing

and in my mind

you finally get to

“the thing” about

both bodies, two shoulders, creek knees

the rug upon which

in classroom a rug

have you carried

can you carry

an iteration of the present

Is that a feeling?

full of sunflowers

the field in

xii

“the world over” feels like such a different idiom
after a pandemic and rising fascism

how is any metaphor tied to a straight line
when the world is so cyclical, so round

I sometimes pretend I am sitting still
inside the whole body buzzing alive

sunflowers, the circuitous route of a fruit fly
is the thing about meditation the way the legs are crossed

is a sunflower field a body
more house, or not more house; earth, or not earth
Source: Poetry (March 2022)