The New Self
By Steve Gehrke
Are you of or not of brain, matter’s boss
or its crevasse, are you the body itself,
or more than that, immortal you, crouched
in flesh, like a vampire packed into a bat?
Are you housed in me or not? The tenant
or the landlord of my skin? Am I your
avatar? Are you my East Berlin? Are we an I
or each other’s synonym? Last night,
the train I was on dimmed then re-electrified,
and I thought again that we are conscious
a lot less often than we suppose, that half the time
in us you’re half reposed. I was in
South Orange again, city of my former self’s last
stand. Do you remember him, your swallowed
twin, the child king whom you deposed? Oh,
I know: you think you’re the buried light,
the jeweled glow, the sunlight falling through
the falling snow. But I’ve seen the uranium
laced through your walls: you’re an equation only
destruction solves. Who else but you
starts each day with masturbation and ends
each night with gin? And so how
should I begin? Four years ago, you rose
in me like a fin. It started as an overflow,
a drop of go, some royal beast in me, all gasoline
and yeast, unhinging its own jaw
to accelerate the feast, the rails of thought so greased
that the outer world began to skew,
as in that moment on a train when the view
becomes a wash of hues. There were clues.
Phantom music in the air. At times, I’d look down
at my body and think, “How’d you get there?”
One day, I de-napped to find myself entrapped
within the tangled logic of a subway
map. All day, I’d refrain, I’d double-track.
I’d talk to myself and myself talked back.
Was it you? That tick I felt within the trick
of thought? That wick that curled itself
around me, not exploding, just making a constant
tick-tick-tick that finally convinced me
that I was sick, that there was a cascade of toxins
in the air, that there
was something queer about the neighbor’s
stare, that charade of signals everywhere,
an air raid in the brain, something in me
left unpaid, a cosmic debt in arrears.
Some nights, I’d hear the voices of my parents coming
near, like waves that overlapped—
she’d slap him, he’d slap her back—their rage
a single note that climbed its staff for years,
my siblings and I in the closet with our fingers
in our ears, though still I heard one night
the knife drawer heaved back, as if they really
might slice each other or the house in half,
and then my thoughts unweaved and I began
to laugh. And it is funny, isn’t it,
the way that which starts as confession ends
in blame, this constant search
for the marionettist of your brain, the ghost
who stole the controls to your soul.
The truth is: we embrace the past that keeps
us whole. Again, I feel that treble in the skin,
something at the edge of sight but closing in,
the world a picture that won’t hang on the wall
quite right. Again, the double agent of the heart
tries to take the past apart, but now I sense
that the investigation is the crime, that it may be time
to give up on this which-is-which,
this who-is-who, this endless voodoo in which the self
I am keeps evading the curses of the self
I mean to be, or to admit at least that the lyric cracks
its voice trying to sing what’s ugly into praise,
and this language is the jeweler’s bluff, a diamond
that scuffs between the teeth, a perfume misting
foul air. Admit, admit, that what you craved
was sex those days, and after a one-night tryst,
you became convinced you’d contracted aids.
Say it plain: you thought you’d passed the disease
on to your wife. In longhand, you wrote statistics
across the page, Googled infection rates,
a one-in-a-million chance the battalion of hotline
workers liked to say, but they couldn’t smudge
that chance away. And did you let this madness in
to build a drama around your sin,
to become valedictorian of the damned, to turn
from lion into lamb, as the murderer longs
to be the murdered one, and the king to swap
places with the fool, the self you thought
you were so undone that you could only blame it
on a coup, on a malignant growth, or on you,
my patsy, my herring, my phantom non grata, my ghoul,
you who I insist must exist, because, if not,
who else was it that could have been so cruel?
Source: Poetry (July/August 2012)