Mourning

A peacock on an olive branch looks beyond

the grove to the road, beyond the road to the sea,

blank-lit, where a sailboat anchors to a cove.

As it is morning, below deck a man is pouring water into a cup,

listening to the radio-talk of the ships: barges dead

in the calms awaiting port call, pleasure boats whose lights

hours ago went out, fishermen setting their nets for mullet,

as summer tavernas hang octopus to dry on their lines,

whisper smoke into wood ovens, sweep the terraces

clear of night, putting the music out with morning

light, and for the breath of an hour it is possible

to consider the waters of this sea wine-dark, to remember

that there was no word for blue among the ancients,

but there was the whirring sound before the oars

of the great triremes sang out of the seam of world,

through pine-sieved winds silvered by salt flats until

they were light enough to pass for breath from the heavens,

troubled enough to fell ships and darken thought — 

then as now the clouds pass, roosters sleep in their huts,

the sea flattens under glass air, but there is nothing to hold us there:

not the quiet of marble nor the luff of sail, fields of thyme,

a vineyard at harvest, and the sea filled with the bones of those

in flight from wars east and south, our wars, their remains

scavenged on the seafloor and in its caves, belongings now

a flotsam washed to the rocks. Stand here and look

into the distant haze, there where the holy mountain

with its thousand monks wraps itself in shawls of rain,

then look to the west, where the rubber boats tipped

into the tough waves. Rest your eyes there, remembering the words

of Anacreon, himself a refugee of war, who appears

in the writings of Herodotus:

I love and do not love, I am mad and I am not mad.

Like you he thought himself not better,

nor worse than anyone else.