Post-Traumatic Rainstorm
By Lisa Gill
Cinder blocks ripple. A hard lot is suddenly glammed up
by an illusion. Cats will slip under chain-link and lap this
dirty pool. I want to go there, be gone there, be anything
liquid or even topped with barbed tape. But the sky is swept
away and I am stuck in a parked car, all limbs attached
to the idea of being human. As if sketched by da Vinci.
As if stretched across a piece of parchment, I am drawn.
Fear circles flesh boxed in by so many tawdry corners:
disease, grocery lists, and suchnot. Even my thighs face
Vitruvian quandaries: whether to stay together or fall apart.
The mental ward is not unappealing: I check my calendar.
What’s a lesion in the temporal lobe except an opportunity
for time to fall into a black hole? These are clinical terms,
time and black hole, words even this century’s doctors
will recognize as problematic: both should help me forget
but don’t. Heal, deaden. Either way I am a woman who wants
to be rid of memory, past and future. Today I desire nothing
more than to sit stilled. What’s so rotten about this
willing suspension of all inclinations to engage anything
other than stasis, brow furrowed, body puddled, hollow?
Earlier, I watched a shiny black millipede on turned dirt
make progress that could be measured in inches. Perhaps
the art of letters is as insubstantial, as oddly disconcerting,
and as unwavering. Nothing can be mistaken for resolution,
yet the allure of metamorphosis, the way hard things buckle
under the line, ameliorates something, at least encourages
the generalized slurry of bad thinking to flow into the next
available trough. Slop has purpose. This much I know.