Tenor
After Jean-Michel Basquiat
Crows
and more crows.
One crow
with a rat
hanging
from its beak,
sloppy
and beautiful.
Another crow
with its wings
plucked
empty.
I wanted
so much of today
to be peaceful
but the empty crow
untethers
something in me: a feral
yearning for love
or a love that is so full
of power,
of tenderness,
the words
fall to their knees
begging for mercy
like tulips
in wind.
I don’t wear the crown
for the times power
has tainted
my body,
but I can tell the difference
between giving up
and giving in.
If you can’t, ask the crow
that watches me
through the window,
laughing as I drink
my third bottle of wine.
Ask the sound
the tree makes
when the crow has grown
disgusted
with my whining.
After years of repression,
I can come clean.
I was a boy
with a hole
other boys
stuffed themselves into.
I have wanted
nothing to do with blackness
or laughter
or my life.
But about love,
who owns the right,
really? Who owns
the crow
who loves fresh meat
or the crow who loves
the vibration
of its own throat?
Everything around me
is black for its own good,
I suppose.
The widow,
the picture of the boy
crying on the wall,
the mirror
with its taunting,
the crows
that belong
to their scripture.
Can you imagine
being so tied to blackness
that even your wings
cannot help you escape?
About my life,
every needle,
a small prayer.
Every pill, a funeral
hymn.
I wanted the end
several times
but thought,
Who owns this body, really?
God?
Dirt?
The silly insects
that will feast
on my decay?
Is it the boy
who entered first
or the boy
who wanted everything
to last?
Source: Poetry (December 2018)