New Queer Cinema
By Ben Kline
The white van lurched into my path,
reeking of cornfield weed, unwashed
jockstraps, a creased older man yanking
its side door open, grinning like heaven
just said, Welcome winner! He waved me
closer—I maintained three feet, a decade
of learning how park and pump guys
operated, kept one hand in my pocket
with the pepper spray, my wet hair
hiding half my face and a third
of my age, thwarting the algorithm
in their balls. The driver shouted,
Now dude—I waved them on, pushing
the heavy October air with my free hand,
thinking about how an hour before, inside
the blind curve on the cliff path,
a blue jay bothered by me and the rain
spitting through cautious ginkgo
and rusty needles, the nameless dad
leaning on the smooth limestone,
nodding twice when I arrived, grinning
like the devil said, You’re welcome!
My jacket and shirt shed in one tug,
I held his head on the rock, his cheek
against the O in the faded yellow
of cocksuckers cum here.
He grunted, yeah, use me, harder, more
spit, the bluejay silent or gone, over us
shouting like religion, up and down
working our knees. If penance helped,
I wouldn’t say a word. I came here
by choice, same as the rain—for mud,
possibly failure, the path uphill slick
roots, hoof holes, no divergence
necessary—I knew who I was wherever
I ended—up or down. Maybe the jay
didn’t know he was beautiful. Maybe
he thought I wasn’t. The old man
roared like a house fire, the van
squealing out of the lot to lurk
another Sunday, confirming rumors
to answer prayers.
Source: Poetry (January 2022)