Articles

Showing 1-20 of 11,337 articles
  • Poem Sampler
    By Tom Snarsky

    "Even a five-word poem has a beginning, middle, and end. A one-word poem doesn’t. You can see it all at once.” 

    Image of Aram Saroyan
  • Interview
    By Daisy Fried

    Each poem is a romance, a love affair. They don’t resemble one another, and each one is a kind of infatuation. Then once you are into it, like a relationship, it’s unpredictable.

    A photo of August KIeinzahler sitting on a couch. He wears a hat and a black shirt, and books are stacked around his feet.
  • Poem Sampler
    By Tina Chang
    I have come to Lee’s more recent poems as a literary disciple with head bowed, meditating on the divinity his poems invoke, listening for their reverberation and syncopation, sensing for the stir...
    Black and white portrait of Li-Young Lee wearing a suit. Lee is not facing the camera and looks off and to the side.
  • Grantee-Partner Profile

    Since 1976, RHINO Poetry has been committed to publishing and showcasing eclectic approaches to poetic excellence through its annual publication, RHINO, the centerpiece of its efforts. 

    A photo of Angela Narciso Torres and Lyra J. Thomas holding print copies of RHINO Poetry. They pose at a booth with a blue fabric background.
  • Essay
    By Forrest Gander

    What humans have perpetrated on their environment certainly affects the means and material of poets. But can poetry itself be ecological?

    Forrest Gander in blue hat and jean jacket, seated at a patio coffee table
  • Prose from Poetry Magazine

    By Ocean Vuong
    Looking back at his six volumes, what becomes clear is a deliberate and calculated disobedience. Lee’s obsessions—love, family, faith, the divine, food, the body and its myriad mirages—return without...
    Black and white portrait of Li-Young Lee wearing a suit. Lee is not facing the camera and looks off and to the side.
  • Prose from Poetry Magazine

    By Li-Young Lee

    But what is a seed? Is it the apple? Is it a Kingdom? To hold a seed, weightless, in the palm of your hand, is to think, Soon

  • Prose from Poetry Magazine

    By Yasmine Ameli

    What I have not said yet is that the prose poem forced me to reckon with one of the big questions of my life: who am I really writing for? 

  • Prose from Poetry Magazine

    By Claudia Nuñez de Ibieta
    Muñoz weaves the channels, islands, and flashes of Chiloé’s distinct culture: vessels and coastline like bodily contours, compasses and stars as guides, threatening seas, threatened peace, and, always...
  • Prose from Poetry Magazine

    By Yasmine Ameli

    Now it’s your turn. For writers who have been struggling to find the form that breathes their stories to life, prose poetry has a growing literary tradition we can learn from. 

  • Prose from Poetry Magazine

    By Adrian Matejka

    Poets are at their finest talking about the dead in metaphors and questions because both suggest some mystery lies just out of sight.

  • Archive Editor’s Note

    By Theaster Gates
    There’s no better Madonna than my mother, and as I personally reflect on the upcoming anniversary of her passing, it feels like a great moment to publicly reflect on the power that Black women have...
    Theaster Gates Rankin Photography Ltd TG Headshot
  • Essay
    By Nick Ripatrazone

    Through his ancient syntaxes, Carl Phillips suggests directness and clarity are neither possible nor perfect in art.

    An expressionistic painting of a blue man in a black sweater standing in front of a window with his arms crossed. Outside of the window is green grass, gray clouds, and a pink sky.
  • By La Marr Jurelle Bruce

    In addition to “lesbian, mother, warrior, poet,” this book reveals a Lorde who is akin to flower, volcano, tree, star, whale, honeybee, diamond, meteor, burst of light, and more.

    Image of Audre Lorde.
  • Grantee-Partner Profile

    ConTextos staff implement poetry into programming because it offers opportunities for personal expression in ways that differ from memoir writing and prose. Poetry leaves more room for interpretation...
    Group of adults smiling and posing in a large room
  • Prose from Poetry Magazine

    By Aaron Coleman
    Guillén’s awareness of the devastating consequences and conundrums of (neo)colonialism extends outward from his native Caribbean. The form of this zoo is not left to be read as an innocuous or arbitrary...
    Guillen March23 1949 Carl Van Vetchen 1057
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