& Memphis is out in Full Fang! Skeletons skip down our pitted streets. Whole families with matching hobo stipple roam tragicomically through the sprawling candy deserts: polka-dot bandanas on sticks, flapping Chaplinesque shoes.
Unclaimed pumpkins pile high behind razor wire. The air's thick with caw & trouble. Our...
...walk into a bar in America. Butterworth says, I’m being repackaged. Ben says, I’m being rebranded. Jemima says, I remember when they branded my mama on her back.
The bartender says, I could stand in the middle of Main Street and kill somebody and I wouldn’t...
“You can’t kiss a movie,” Jean-Luc Godard said, and this is mostly true, in that you cannot initiate the kiss. The Movie could initiate the kiss if The Movie wanted, as it is so much taller, leaning in, no way...
The lit night glares like a day-glo strawberry, the stakeout car beside the hydrant is full of feds, and the ikon of our secret hero(ine?), atop the feckless funnypaper mesa we try to live in, is that poor dumb indestructible super-loser Krazy Kat.
Rotor wash, or the downward-flowing Air by which our helicopters formed Imprints in the jungle grass beneath Now stands effectively for Vietnam Because our understanding of that war Omitted many things but not the wind We bowed our heads and fled. In this case we
Love is boring and passé, all that old baggage, the bloody bric-a-brac, the bad, the gothic, retrograde, obscurantist hum and drum of it needs to be swept away. So, night after night, we sit in the dark of the Roxy beside grandmothers with their shanks...
Hunger like her mama
Most strong in White gaze as in
a Cowbird’s flirtation
Sprouted in eyes to tongues
to bellies pregnant with stolen milk
to restless hands
These fingernails filled with Black body,
How odd that she would die into an August night, I would have thought she would have gone out in a pale clear night of autumn, covered to the shoulder in an ivory sheet, hair fanned out across the pillow perfectly. Fame will go by, and,...
How many sets of her parents are dead. How many times over is she an orphan. A plane, a crosswalk, a Boer war. A childbirth, of course, her childbirth. When she, Shirley Temple, came out of her mother, plump even...
She lip-syncs “Hello God,” then “9 to 5.” She struts. Or does she fly? Like the soul, a rhinestone, she tells us, will never die. She’s a blush-pink Bible. Patched together, she’s a cosmic doll. Mirror of a mirror, she winks, her face the only...
This century is younger than me. It dresses itself in an overlong coat of Enlightenment thinking despite the disappearing winter. It twirls the light-up fidget spinner won from the carnival of oil economies. In this century, chatbots write poems where starlings wander from their murmuration into the denim-thick...